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    <title>The Moronosphere</title>
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    <id>tag:moronosphere.com,2008-11-25://1</id>
    <updated>2010-07-21T23:37:38Z</updated>
    <subtitle>damnation and hellfire</subtitle>
    <generator uri="http://www.sixapart.com/movabletype/">Movable Type Pro 5.02</generator>

<entry>
    <title>Deadringer &apos;Mourning Beads&apos;</title>
    <link rel="alternate" type="text/html" href="http://moronosphere.com/2010/07/deadringer-mourning-beads.php" />
    <id>tag:moronosphere.com,2010://1.6542</id>

    <published>2010-07-21T17:39:29Z</published>
    <updated>2010-07-21T23:37:38Z</updated>

    <summary> It should be no surprise that I&apos;m a HUGE fan of Steve Gillespie&apos;s Deadringer jewelry. Steve&apos;s just a brilliant designer, a jeweler of consummate skill, and a hell of a good guy. I love everything they&apos;ve ever made, and...</summary>
    <author>
        <name>Karl Elvis</name>
        
    </author>
    
        <category term="jewelry" scheme="http://www.sixapart.com/ns/types#category" />
    
        <category term="silver" scheme="http://www.sixapart.com/ns/types#category" />
    
        <category term="skull rings" scheme="http://www.sixapart.com/ns/types#category" />
    
    <category term="deadringer" label="deadringer" scheme="http://www.sixapart.com/ns/types#tag" />
    <category term="silver" label="silver" scheme="http://www.sixapart.com/ns/types#tag" />
    <category term="stevegillespie" label="steve gillespie" scheme="http://www.sixapart.com/ns/types#tag" />
    
    <content type="html" xml:lang="en" xml:base="http://moronosphere.com/">
        <![CDATA[<p></p>

<p>It should be no surprise that I'm a HUGE fan of Steve Gillespie's <a href="http://www.skullrings.net/">Deadringer</a> jewelry. Steve's just a brilliant designer, a jeweler of consummate skill, and a hell of a good guy. </p>

<p>I love everything they've ever made, and would happily own one of each, if I were made of money. </p>

<p>That said, I'm particularly thrilled with this new set of beaded necklaces they call "<a href="http://www.skullrings.net/newproducts.htm" target="_blank">Mourning Beads</a>". They're elegant in a way nothing Steve's done before is, without loosing that deadringer edge. They're 100% Steve Gillespie, 100% Deadringer, but they're also something I can see with evening wear. </p>

<p>They're just stunning. 

</p><p>Mark describes these necklaces thus:</p>

<blockquote>Some time last year during a workshop&nbsp;<s><i>argument</i></s>&nbsp;animated debate on jewelry of the Victorian era, we struck upon the idea of a string of beads. Hardly an original concept, granted, but we wanted to give them a Deadringer twist without loosing the essence of yesteryear. Steve was already well underway carving a small skull and a selection of bones, so after a few months of trialing a variety of beads and bead sizes in various formats, we have settled on the combination of the skull with polished natural black Agate in a traditional necklace format, terminated with a femur &amp; ring clasp based on your customary fob assembly</blockquote>

<p>Pictured below are a couple of variations on the necklace; it's offered in three variants (Alternating, Regulated and Sectional), and in 16 or 18 inch lengths. Ranging from $295 to $655 (depending on length and configuration), these are actually pretty affordable.</p>

<p>Click <a href="http://www.skullrings.net/newproducts.htm" target="_blank">here</a> to order or to see more details and pix. </p>

<p>I just love these; I want to put them on every beautiful neck I know (for an example of a beautiful neck I don't know, modeling the necklaces, look after the cut).

</p>

<center>

<p><a href="http://moronosphere.com/DRbeads.jpg"><img src="http://moronosphere.com/images/DEADRINGER/DRbeads-tm.jpg" width="200" height="150" alt="images/DEADRINGER" /></a>&nbsp;&nbsp;<a href="http://moronosphere.com/images/DEADRINGER/DRbeads_1.jpg"><img src="http://moronosphere.com/images/DEADRINGER/DRbeads_1-tm.jpg" width="200" height="150" alt="DRbeads_1.jpg" /></a></p>

<p><a href="http://moronosphere.com/images/DEADRINGER/DRbeads_2.jpg"><img src="http://moronosphere.com/images/DEADRINGER/DRbeads_2-tm.jpg" width="200" height="150" alt="DRbeads_2.jpg" /></a>&nbsp;&nbsp;<a href="http://moronosphere.com/images/DEADRINGER/DRbeads_3.jpg"><img src="http://moronosphere.com/images/DEADRINGER/DRbeads_3-tm.jpg" width="200" height="150" alt="DRbeads_3.jpg" /></a></p>

<p></p>

<p></p>

<p>(click to embiggen)</p>

</center>]]>
        <![CDATA[<center>

<p><br /><br /></p><p><br /></p><p><br /></p><p><br /></p>

<p></p>

<p><a href="http://moronosphere.com/images/DEADRINGER/4D9X0960.jpg"><img src="http://moronosphere.com/images/DEADRINGER/4D9X0960-tm.jpg" width="200" height="133" alt="4D9X0960.jpg" /></a>&nbsp;&nbsp;<img src="http://moronosphere.com/images/DEADRINGER/DRbeads_6-tm.jpg" width="200" height="133" alt="DRbeads_6.jpg" /></p>

<p>&nbsp;<a href="http://moronosphere.com/images/DEADRINGER/DRbeads_5.jpg"><img src="http://moronosphere.com/images/DEADRINGER/DRbeads_5-tm.jpg" width="200" height="300" alt="DRbeads_5.jpg" /></a>&nbsp;&nbsp;<img src="http://moronosphere.com/images/DEADRINGER/DRbeads_4-tm.jpg" width="200" height="300" alt="DRbeads_4.jpg" /></p>

<p><br />
</p></center><p></p>]]>
    </content>
</entry>

<entry>
    <title>Thruxton mods: FEK and flashers</title>
    <link rel="alternate" type="text/html" href="http://moronosphere.com/2010/06/thruxton-mods-fek-and-flashers.php" />
    <id>tag:moronosphere.com,2010://1.6539</id>

    <published>2010-06-13T02:39:06Z</published>
    <updated>2010-07-23T22:45:22Z</updated>

    <summary>You may think I&apos;m obsessed. It&apos;s true, I&apos;m obsessed. It&apos;s been a really, really long time since I had fun wrenching on a vehicle. I think the last time I actually had fun working on my car, I mean really...</summary>
    <author>
        <name>Karl Elvis</name>
        
    </author>
    
        <category term="motor madness" scheme="http://www.sixapart.com/ns/types#category" />
    
        <category term="motorcycles" scheme="http://www.sixapart.com/ns/types#category" />
    
    <category term="thruxton" label="thruxton" scheme="http://www.sixapart.com/ns/types#tag" />
    
    <content type="html" xml:lang="en" xml:base="http://moronosphere.com/">
        <![CDATA[<p>You may think I'm obsessed. </p>

<p>It's true, I'm obsessed. </p>

<p>It's been a really, really long time since I had fun wrenching on a vehicle. I think the last time I actually had fun working on my car, I mean really working on it, was my first Toyota truck (a 1979 SR5 long bed). I used to do all kinds of crap to it, because it was so easy to work on. More recently, the only car I've really spent any time on was my red Jeep wrangler; mostly minor bolt-ons or removals. </p>

<p>I've never worked on my own motorcycles significantly; never really a been a big customizer. But when I set out to replace my <a href="http://moronosphere.com/2009/01/for-sale-2000-triumph-trophy-sf-bay-area.php" target="_blank">Trophy</a> (a big beast of a bike, all covered in full-body plastic), I had a couple of criteria: light, nimble, and most of all, no fucking plastic. I wanted to be able to work on it, whatever bike I chose. </p>

<p>When I settled, after considerable thought and research, on a Bonneville, I couldn't have picked a much more customization-friendly platform. All the bikes in the bonneville family (The original Bonnie, the Scrambler, and the Thruxton) share a uniform frame, engine, and geometry; so parts are almost completely interchangeable. Being the product of a long history of chopping, bobbing, and café-ing, there's also a huge market out there for parks, kits and gear. </p>

<p>There are literally dozens of vendors making and selling parts, and hundreds of easy bolt-on options. For a beginner, one could spend thousands before getting up into the range of work that's actually difficult, and for experienced wrenchers, there's really no limit to what you can do to these things. Like the original 60s Triumphs, they're made to be re-made. </p>

<p>To say I'm having fun with this is an understatement; I'm having an absolute fucking ball. </p>

<p>My list of things to do is just getting longer and longer, from changes to the air intake (air box removal kit and air injection removal), to the exhaust (black pipes, predator cans), to the rear wheel (fatter tire), to a new tank to replace that tiny teacup of a tank the Thruxton comes with. There are about a hundred other things I could do, ranging from power increases to paint; time and money are my limits. </p>

<p>But here's my next customization. </p>

<p><br />
<img src="http://moronosphere.com/ugly_bonneville_taillight.jpg" width="75" height="83" alt="ugly_bonneville_taillight.jpg" style="float:right;" /><br />
One of the common objections to the Bonneville family is the ugly-ass tail light and signal cluster, which looks like something off of a '50s scooter or the back of an Edsel. There are many after-market tail-light and turn signal options that are more in line with the bike's sixties/seventies styling. </p>

<p>Alternately, particularly among Café Racer enthusiasts, one of the most common mods is what's called a Fender Removal Kit, or FEK, which removes the rear fender entirely, replacing it with a plate under the seat (to protect wiring), and a minimal tail-light and license bracket. </p>

<p>Every major Triumph parts dealer offers an option for this, each approaching it a bit differently. I wound up with the <a href="http://www.british-customs.com/british-customs-cat-eye-fender-eliminator-kit.html" target="_blank">kit from British Customs</a>, mainly because I liked the 'cats-eye' tail light (though also because the wiring harness they provide is particularly user-friendly). </p>

<p>To go with this, I chose a pair of turn signals from <a href="http://www.harrisonspecialties.com/" target="_blank">Harrison Specialties</a>, which I just happened to stumble on via a <a href="http://www.buellxb.com/Buell-XB-Forum/Buell-Lightning-XB12S-XB12Ss-CityX-XB12Scg/Streetfighter-turn-signals" target="_blank">Buell forum</a>. They satisfied my taste for aggressive, bullet-shaped turn signals and super-bright LEDs. I admit it, I'm a whore for LEDs, I've replaced all the turns, all the idiot lights, the gauge illumination, and would replace all the lights on my car too, if I had the time. </p>

<p>Below are some pictures; compare the look of the rear fender <a href="http://gallery.me.com/karlelvis#100040/IMG_8460&amp;bgcolor=black" target="_blank">here</a>, to the new version, <a href="http://gallery.me.com/karlelvis#100048/IMG_8488&amp;bgcolor=black" target="_blank">here</a> and <a href="http://gallery.me.com/karlelvis#100048/IMG_8489&amp;bgcolor=black" target="_blank">here</a>. The difference in terms of a clean, classic, retro appearance is worlds apart, and I couldn't be happier with it. </p>

<p>Other smaller mods are a <a href="http://gallery.me.com/karlelvis#100048/IMG_8498&amp;bgcolor=black" target="_blank">ignition relocation kit</a> from <a href="http://www.jokermachine.com/" target="_blank">Joker Machine</a> (who make the coolest shit ever), moving the ignition from next to the headlight (a dumb-ass place for it; it's ugly there, and it's awkward to reach), and small <a href="http://gallery.me.com/karlelvis#100048/IMG_8502&amp;bgcolor=black" target="_blank">fairing-mount front turn signals</a>, and a billet <a href="http://www.jokermachine.com/itemtriumph2004.asp?ItemID=602&amp;CategoryID=77&amp;Placeholder=" target="_blank">choke knob</a>, also from <a href="http://www.jokermachine.com/itemtriumph2004.asp?ItemID=196&amp;CategoryID=75&amp;Placeholder=" target="_blank">Joker</a>. </p>

<p>Below is a slide show; let me know if you can't get to the whole set. </p>

<p>(this seems to be broken at the moment, it's not clear why, but I'll fix it shortly)</p>

<p></p>

<p></p>

<center>
<script src="http://gallery.mac.com/g/flash/photowidget_iefix.js" type="text/javascript"></script> <script type="text/javascript"><!--
writeObj("http://gallery.me.com/karlelvis/100048", 160, 140);
// --></script>

<p>(Click to go to full-size photos)<br />
</center></p>

<p></p>

<p><br />
There are a whole lot of other parts I installed as part of this, though most of that's only interesting if you own a Triumph you're working on. Read on if you're interested in the hard details</p>]]>
        <![CDATA[<p>One of the big headaches of a mod like this is that it's hard as hell to get a clear answer about some basic details of <em>how</em>. </p>

<p>For example, converting a motorcycle from regular filament flashers to LED flashers requires several different mods, but which mods depends. </p>

<p>What does it depend on? There's the question. </p>

<p>Flashers are a simple wiring system; two lights in one circuit, (per side), all wired together, thourgh a simple mechanical relay. </p>

<p>The relay assumes a certain resistance in the wires; this is why turn signals will suddenly blink way too fast if one light goes out. </p>

<p>Adding LEDs has the same effect; LEDs have way less electrical resistance than old fashioned bulbs. So old-fashioned relays react as if the bulb's burned out?</p>

<p>SO how do you slve that? There's the issue. </p>

<p>One of the things that makes Unix daunting for new users to grasp is that every single question has multiple answers, and every problem has multiple solutions. This is because UNix, unlike windows or MAcOS, was built by engineers, for engiuneers. Engineers like options; they like choices. They like to know they can apply the solution that they like, and then hasho ober which is better and why. </p>

<p>SOme electrical systems seem to be devised the same way; everyone solves it a bit differently. </p>

<p>If you do a bit of research, you'll find there are dozens of solutions to this LED signal problem; every vendor gives you different one. Some require load balancing devices that cost upwards of a hundred dollars; others will tell you all you need is a resistor, or two, or a diode kit, or some special wire doohickey. </p>

<p>Odds are most of these work; but they don't all solve the exact same problem. </p>

<p>Luckily, this is pretty fucking easy for the Bonneville. </p>

<p>There are two issues to solve. </p>

<p>One is caused by the circuit having only one indicator on the dash (the 'idiot light') to tell you that your turn signals are on, with both sides wired though it. This works great for regular signals, but when you put on LEDs, you get feedback in the line, and every signal on your bike will flash in unison; not at all useful as a turn signal. </p>

<p>There are basically two ways to fix this; one is to wire a diode in line (like this kit from <a href="http://www.kuryakyn.com/index.cfm/prodFam/metric/go/Home.ProductDetail/catID/16/scID/114/IMID/719" target="_blank">Küryakyn</a>). That's really cheap (seven or eight bucks, though shipping may double that), but requires some incredibly awkward wiring in areas of the bike that are hell to get yoru hands into particularly if you have big hands like mine. The other (the easy way), is to replace your flasher bulb with this incredibly simple <a href="http://www.newbonneville.com/html/idiot_light_conversion.html" target="_blank">Idiot Light kit from NewBonneville</a>, which both gets you beautifully bright lights, but also fixed the diode problem. </p>

<p><br />
The other issue is the 'fast flash'. And this is the one where some vendors will sell you hundred dollar gadgets. </p>

<p>Luckily there's a way easier, cheaper solution. The K&S 24-0005 relay. You can find this several places like Amazon or Biker Highway, but I picked it up from one of my favorite triumph-specific vendors, <a href="http://www.bellacorse.com/bcc169.htm" target="_blank">Bella Corse</a>, for $19.99.</p>

<p>This is plug and play; once the Idiot Lights were fixed, this plug-in relay replacement had my four LED turn signals flashing correctly with no fuss whatsoever. </p>

<p>It's really just that simple; once the idiot light kit was in place and the relay was plugged in, it all worked, for forty bucks (and that got me the idiot light upgrade as well). </p>

<p>The whole process was so easy, yet it was something I found incredibly intimidating. I even posted on the <a href="http://www.triumphrat.net/twins-technical-talk/142267-bonnie-thuruxton-turn-signal-wiring-for-dummies.html#" target="_blank">Triumph RAT forum</a> about it and got no good info on it, which I'll be correcting shortly by adding this info there. </p>

<p>Now that it's all done, I'm really, really happy with the result; though of course, I already want to change some of the things I've already done, and do a dozen more.</p>]]>
    </content>
</entry>

<entry>
    <title>Thruxton mods: Emgo Viper fairing</title>
    <link rel="alternate" type="text/html" href="http://moronosphere.com/2010/06/Thruxton-mods-emgo-viper-fairing.php" />
    <id>tag:moronosphere.com,2010://1.6535</id>

    <published>2010-06-04T06:04:52Z</published>
    <updated>2010-06-06T17:49:18Z</updated>

    <summary>Here&apos;s my first significant attempt at customization on my Thruxton. (I&apos;m trying a MobileMe embed here, it should be a slide show, let me know if it isn&apos;t). (Click to go to full-size photos) After a ton of research and...</summary>
    <author>
        <name>Karl Elvis</name>
        
    </author>
    
        <category term="motor madness" scheme="http://www.sixapart.com/ns/types#category" />
    
        <category term="motorcycles" scheme="http://www.sixapart.com/ns/types#category" />
    
    <category term="thruxton" label="thruxton" scheme="http://www.sixapart.com/ns/types#tag" />
    <category term="triumph" label="triumph" scheme="http://www.sixapart.com/ns/types#tag" />
    
    <content type="html" xml:lang="en" xml:base="http://moronosphere.com/">
        <![CDATA[<p>Here's my first significant attempt at customization on my Thruxton. </p>

<p>(I'm trying a MobileMe embed here, it should be a slide show, let me know if it isn't). </p>

<p></p>

<center>
<script src="http://gallery.mac.com/g/flash/photowidget_iefix.js" type="text/javascript"></script> <script type="text/javascript"><!--
writeObj("http://gallery.me.com/karlelvis/100040", 160, 140);
// --></script>

<p>(Click to go to full-size photos)<br />
</center></p>

<p></p>

<p><br />
After a ton of research and a ton of over-thinking, I finally pulled the trigger and ordered a fairing for my Thruxton. </p>

<p>Sold by <a href="http://www.bellacorse.com/" target="_blank">Bella Corse</a> as the "Cafe Racer 1/4 "Bikini" Fairing", it's an Emgo "Viper"; your basic, old-school ABS plastic, universal mount fairing. </p>

<p>It's more or less exactly what I had in mind when I first started thinking about fairings; reasonably cheap, really easy to install, and looks as retro as hell. </p>

<p>I'm pretty damned happy with it. </p>

<p>Next on the list to do is new turn signals; I had to remove the stockers to fit this, but I hate the stock signals, so it's a win both ways. I have these beautiful <a href="http://www.jokermachine.com/catalogimages/1676.jpg" target="_blank">billet LED lights</a> from <a href="http://www.jokermachine.com" target="_blank">Joker Machine</a> to install; that's my next project (I need some additional wiring to convert things to LED). </p>

<p>I'm having far to much fun with this project; every little thing I do makes this motorcycle feel like mine. </p>

<p>More pix of the project as it progresses.</p>]]>
        
    </content>
</entry>

<entry>
    <title>Season&apos;s End</title>
    <link rel="alternate" type="text/html" href="http://moronosphere.com/2010/05/seasons-end.php" />
    <id>tag:moronosphere.com,2010://1.6533</id>

    <published>2010-05-24T06:38:33Z</published>
    <updated>2010-05-24T17:54:28Z</updated>

    <summary>God, i hate it when hockey season ends. Used to be, I was a football guy. BAseball I didn&apos;t care about either way; I&apos;d watch it, I liked a good game live, but it didn&apos;t matter. Basketball bored me to...</summary>
    <author>
        <name>Karl Elvis</name>
        
    </author>
    
        <category term="sports" scheme="http://www.sixapart.com/ns/types#category" />
    
    
    <content type="html" xml:lang="en" xml:base="http://moronosphere.com/">
        <![CDATA[<p>God, i hate it when hockey season ends. </p>

<p>Used to be, I was a football guy. BAseball I didn't care about either way; I'd watch it, I liked a good game live, but it didn't <em>matter.</em> Basketball bored me to tears, and soccer more so. </p>

<p>Hockey was one of those games I wanted to like, very much. Back in Gretzky's day, when my brother was glued to the games, I'd try, and try, and never get it. </p>

<p>in 1991 when Hockey came back to the bay area (thanks to <a href="http://en.wikipedia.org/wiki/George_Gund_III" target="_blank">George Gund</a>) ,I started thinking I should go to a game. And I said that off and on for years afterwards. I tried, again, to get into in on TV, but it's not an accessible game on a small screen. </p>

<p>It wasn't until my first game, somewhere in the early '00s, that I finally got it. From the first play of that first game live in person, I was a dedicated San Jose Sharks fan. </p>

<p>The Sharks have had some good, great, and not great seasons, but I didn't care; I was hooked. </p>

<p>The first year, I went to several games before I was able to easily track the action on tv. But once I got what was going on, I found i was getting almost as much as I did live. </p>

<p>Football is a game made for TV. Deliberate pacing, setup, play, stop, setup. It's geometric, strategic, reasonably predictable. Live, the game is thrilling, but often difficult to track at stadium distances. On TV, you can see everything you need to see to understand the game completely. Truly, you get far more out of a football game on TV than you do in the stands (aside from the sheer energy of being there). </p>

<p>Hockey is the opposite. A TV screen - no matter how big and how clear - cannot catch all the action on every part of the ice. Hockey's too fast, too frantic, too unpredictable. Also, obviously, a three inch puck becomes about a pixel wide on a TV screen, so it's rarely visible for more than seconds at a time. </p>

<p>Live, though, the incredibly complex interplay, the constant change of strategy, the timing with who's where on the ice at any time. More, you get the changing on and off the ice - an absolutely crucial detail of coaching - that on tv is never visible. </p>

<p>Hockey is an absurdly fast game. The skaters are fast, the puck is fast, the changes in pace and direction are fast. Scoring can happen any time by any member of either team. In football, you know a touchdown is coming  - or may come - for a long time as teams march down the field. You know when you go get a beer, when things won't be happening for a while. In hockey, you don't, ever, know when the game changing moment is going to happen. Live, there are moments when one can't even catch breath, when the tension tightens and tightens and tightens until you're ready to explode. You can't get this when you're not there, hearing skate hit skate, stick crack off puck, players crashing into each other or the boards. The SOUND of hockey is an integral part of the experience. </p>

<p>More than any sport I've seen, Hockey is made to see live. </p>

<p>Yet, I've seen enough now that I can assemble what's happening from TV; I can make up the difference now. We're lucky to have one of the best broadcasting teams in any pro sport I can think of in San Jose; Drew Remenda and Randy Hahn, on Comcast SportsNet California. I can't over-state the difference it makes to have top broadcasters calling the game; particularly with Hockey. It makes watching games immensely entertaining. When the games are on other networks (usually Versus), my enjoyment is radically less (though I'll still, always watch). </p>

<p>I'm a committed fan; I've reached that point where I plan around Hockey. I plan my weekday evenings, I plan when I'll leave work early and when I'll leave late, I plan my drinking. I try to catch every game. A hockey season is long. 82 games, plus playoffs. That means 41 home games. This is one of the reasons I don't have season tickets; I simply can't make the commitment of time and money. And of course, I can't realistically even watch that many on TV. But I try. Knowing a hockey game will be on when I get home on weeknights makes me happier. </p>

<p>From the beginning of October 'til the season ends (In April if you're not lucky, or into May or even June, depending on how long one's team survives the playoffs), it's a constant in a hockey fan's  life; something that has a significant impact on mood. </p>

<p>The letdown when the season ends is significant. Even when we're having a bad year, when we're not in the playoffs, or when we exit them early and ugly, I look at the calendar and think,<em> how many months until I can buy tickets for another game</em>. </p>

<p>A year like this one - wow. </p>

<p>The last three years, the sharks have played incredibly well all season. They've set records - points, games won. Franchise records, player records, league records. They've been on a major roll; playing absolutely amazing hockey all year. But the previous two, they went out hard and early in the playoffs (in 08, in the most brutal overtime marathon I've ever seen, and in '09, they were smacked down with ridiculous ease in the first round by the hated Anaheim Ducks). </p>

<p>Brutal endings, both, for a team that had 'stanley cup' written all over them. Truly, both years, they looked unbeatable early on. </p>

<p>This year was different. This year we played hard, played well, but we didn't have the look of a team peaking too hard and too early. We had firepower from all over the team, we had discipline, we had a powerful physically game. We had top players like Marleau and Heatly playing at the top of their games and scoring at will. It looked like a cup run. </p>

<p>And when we came into the playoffs, it still looked like a cup run. We stumbled a bit in the first round, making it look harder than it should have been. But it wasn't that hard. The second round, against Detroit, we made look pretty easy. </p>

<p>So coming into the final, against a strong but extremely beatable Chicago Black Hawks, we all sort of felt like this was just the walk up to a Stanley Cups we'd already won. </p>

<p>Turned out, not. </p>

<p>I was at game one of that series, and walked out with a couple of clear impressions. One was that this is some incredibly good hockey; possibly the best hockey I've ever seen live. One was that this Chicago team was fast, strong, and incredibly good. And the third was that we are just about dead even it abilities, so the series would be decided by small details and tiny increments of advantage. </p>

<p>We lost that game, but only just; we were in it til the ending. It was about as good a game as a loss can be. </p>

<p>The second game, they caught us out. They exposed a couple of weaknesses, and lined up their own strengths against them; playing spectacular defense and using speed to disrupt the sharks normal puck movement strategies. </p>

<p>three and four played out more like one; incredibly close games, were two teams stood head to head and measured up; one was a tiny bit better, and dominated. </p>

<p>The Sharks could have one that series; but they couldn't win it right now. They don't have the right game, and maybe they're one or two key players off the right lines. Personally I think it was one of those 'who's hot this week' cases; I think a month ago or a month from now, the series would have been different if the peaks and valleys lined up different. Because Hockey's like that; teams go on amazing streaks where they can't lose, and then they do lose, and have amazing streaks where everything goes wrong for them for a week, or a month, before they put it together. </p>

<p>The Sharks came in off pace; we knew that when they struggled against an infinitely weaker Colorado team. They came in vulnerable, with an awareness of fallibility and a history a failing hard, early. Chicago were on the opposite end of the curve, surging when they needed to surge, and playing up to peak rather than down to valley. </p>

<p>Yes, it was a sweep; but every game was close, and every game was within reach. </p>

<p>The heartbreak last year was that our team let us down. The heartbreak this year was that they didn't; they just were not <em>quite</em> great enough, not as great as they needed to be this week. </p>

<p>The end of the season happens in that one second when a puck goes over the line, and then in that 60 seconds when the time trickles away on the clock, and you know, finally, that hope's over and the season ends. right. here. </p>

<p>Stanley cup? Who cares. The real battle was here, in San Jose, and in Chicago, and it ended wrong. Who gets that big silver mug in a couple weeks time doesn't matter at all, it's an afterthought, for bragging rights between two teams who mean nothing but payback targets next year. </p>

<p>The season's ever when my team get on a plane and fly home. </p>

<p>I look at the calendar - summer beginning, weather warming. I think about bbq and swim parties, about warm vacations and lazy (or busy) weekends, about hot, sweaty nights. But I also look past that to fall, because the only thing that makes it feel better is football season. And this year, for the first time in a decade, I'm seeing the 49ers look like they may be worthy of hope. It's been a long, ugly road for them, and they've made a great show of wildly, obviously bad choices everywhere in the organization, from owner to coach to general manager to drafts to free-agents, all the way to where to build new stadiums. But it's hit a point where the pieces seem to be falling into some sort of line, and where the players we have signed all look like the right players to fit what's been wrong. We have a coach who seems to understand how to lead. MAybe, just maybe, we're finally starting to do it right. </p>

<p>That doesn't mean they're looking to a super bowl; but it means they just might be looking at a winner of a season, and if we're very lucky, more. And that, for a long, long time fan, is a little glow out on the horizon that makes it seem better. </p>

<p>That doesn't stop me from being bummed. When I put my new, personalized "playoffs" hockey jerseys away today, I though "i need more of these, I don't have a Nabokov one yet". And then I remembered how long i'd be before I can wear it to a game. </p>

<p>But this sharks team will be back here, and past here. Of that I'm completely sure. And meanwhile, there's that summer, and that fall of red and gold. And hopefully, there are drunken, sweaty pursuits that will get me out of the house and get sports the hell out of my head; god knows that'll be good for me. </p>

<p></p>

<center>

<p><img src="http://moronosphere.com/IMAGES/elvis13.jpg" width="480" height="422" alt="elvis13.jpg" /><br />
</center></p>]]>
        
    </content>
</entry>

<entry>
    <title>It&apos;s epic. It&apos;s detailed. It&apos;s devastating. And it&apos;s hilarious</title>
    <link rel="alternate" type="text/html" href="http://moronosphere.com/2010/05/its-epic-its-detailed-its-devastating-and-its-hilarious.php" />
    <id>tag:moronosphere.com,2010://1.6532</id>

    <published>2010-05-20T23:37:02Z</published>
    <updated>2010-05-20T23:34:09Z</updated>

    <summary> There are way too many sites talking about this, really, and I kind of hate to put sex-toy retailer and all-round bullshit artists Eden Fantasies MORE into the spotlight. But you know, this shit&apos;s just too good. If you&apos;re...</summary>
    <author>
        <name>Karl Elvis</name>
        
    </author>
    
        <category term="blogosphere" scheme="http://www.sixapart.com/ns/types#category" />
    
    
    <content type="html" xml:lang="en" xml:base="http://moronosphere.com/">
        <![CDATA[<p><br />
There are way too many sites talking about this, really, and I kind of hate to put sex-toy retailer and all-round bullshit artists Eden Fantasies MORE into the spotlight. </p>

<p>But you know, this shit's just too good. </p>

<p>If you're not following, Bacchus at ErosBlog <a href="http://www.erosblog.com/2010/05/20/edenfantasyscom-shoots-itself-in-the-ballsagain" target="_blank">gives a great summary</a>. </p>

<p>Even better is <a href="http://maybemaimed.com/2010/05/19/edenfantasyss-unethical-technology-is-a-self-referential-black-hole/" target="_blank">the post that stirred all this</a>, over at MayMay's blog, <a href="http://maybemaimed.com" target="_blank">Maybe Maimed</a>. </p>

<p>To quote Bacchus, "<em>It's epic. It's detailed. It's devastating. And it's hilarious</em>". </p>

<p>The shortest summary I can come up with is that Eden Fantasies have been building a vast link farm with a 'link exchange' program ("if you link to my blog I'll link to yours"), but has been using technical slight-of-hand to obscure outgoing links. The upshot is that they appear to be networked from everywhere in the sex-bloging universe, while showing absolutely no links of any kind out. The details are brilliant if you can wrap your head around it (see MayMay's post, above). </p>

<p>The bottom line - covered here, there and everywhere by the above two gentlemen-and-scholars, as well by <a href="http://aagblog.com/2005/10/17/problems-with-edenfantasyscom/" target="_blank">AAG</a> and others - is that Eden have proven themselves to be pretty thorough scumbags numerous times, in numerous ways. If you want to take a stand, I suggest you read and forward some of those links. At very least, it's a good object lesson in how sneaky business practices can't be hidden for long. </p>

<p>I have to suggest, though, that if you have anything to do with Eden, you get the hell out of there. They're a slow-motion train wreck, and everyone I know who's been involved with something there has been burned in one way or another. </p>]]>
        
    </content>
</entry>

<entry>
    <title>corporate cube shuffle</title>
    <link rel="alternate" type="text/html" href="http://moronosphere.com/2010/05/corporate-cube-shuffle.php" />
    <id>tag:moronosphere.com,2010://1.6531</id>

    <published>2010-05-20T19:03:59Z</published>
    <updated>2010-05-20T18:59:22Z</updated>

    <summary>One of the funny things that tech corporations do a lot of is shuffle people from bldg to bldg. I&apos;ve been in tech since tech was new, so of course, I&apos;ve done a hell of a lot of this. I&apos;ve...</summary>
    <author>
        <name>Karl Elvis</name>
        
    </author>
    
        <category term="work" scheme="http://www.sixapart.com/ns/types#category" />
    
    
    <content type="html" xml:lang="en" xml:base="http://moronosphere.com/">
        <![CDATA[<p>One of the funny things that tech corporations do a lot of is shuffle people from bldg to bldg. </p>

<p>I've been in tech since tech was new, so of course, I've done a hell of a lot of this. I've even done the moves myself, when I worked for a startup in this dim and distant past; being the lowest paid guy in the company (one of maybe three without a PHd behind my name), i got all those extra jobs, like building stuff, tearing stuff down, moving heavy things, and driving the company truck (because I had a truck, and no one else did, it became The Company TRuck). </p>

<p>The thing that seems ironic now, though, is that physical proximity to co workers matters almost not at all for most companies now. Most of us in tech - at least the engineers - get more done when we're away from our cubicles than when we're in them. So the push to gather a team together in one room, area or bldg is a loosing battle for a company that's growing. </p>

<p>I'm lucky enough to work for such a company, so we're doing lots of poorly-planned body shuffles. </p>

<p>It's frustrating; putting us together won't help us work, but moving us disrupts work. Our last move was dreadful, costing me vastly in terms of productivity. And it failed the goal of putting a team together, because we tried to shoehorn three teams into room for two, and thus wound up splitting all three teams worse than when we started. </p>

<p>Tomorrow, we go again, and it's the same thing; three teams into one bldg, and by the time we move, space is already too short to fit everyone, even with cubes cut down to 2/3 normal size. </p>

<p>For what? So managers who don't really get it can know where everyone sits. </p>

<p>There's an upside though. My current bldg is absolutely horrible. Oh, it looks great, but as a working environment it's dreadful. Every mistake you can make in terms of lighting and sound has been made. So the new bldg - literally two parking lots down the road - has to be better, if only because it can't be worse. So if we stay there loger than a year, the productivity should be a sum gain only because the environment may be less noisy and unpleasant. BUt that's only a win if we don't move again in six months, because a move like that always costs weeks of disruption. </p>

<p>And again, why? When we could work literally anywhere, in any bldg. Moving one employee is easy; moving a bldg-full is a huge undertaking. </p>

<p>Corporation, I guess we could say, are stupid. </p>

<p>On the other hand, we get friday off. So it's not a complete loss. </p>]]>
        
    </content>
</entry>

<entry>
    <title>our story thus far</title>
    <link rel="alternate" type="text/html" href="http://moronosphere.com/2010/04/our-story-thus-far.php" />
    <id>tag:moronosphere.com,2010://1.6529</id>

    <published>2010-04-29T18:44:42Z</published>
    <updated>2010-04-29T19:18:22Z</updated>

    <summary>I&apos;ve been watching the new Doctor Who episodes. You know the one; season 5, 11th doctor. Matt Smith and Karen Gillian. If you don&apos;t know what I&apos;m talking about, nevermind; you&apos;re not one of us, skip this entry. These episodes...</summary>
    <author>
        <name>Karl Elvis</name>
        
    </author>
    
        <category term="teevee" scheme="http://www.sixapart.com/ns/types#category" />
    
    <category term="11thdoctor" label="11th doctor" scheme="http://www.sixapart.com/ns/types#tag" />
    <category term="amypond" label="amy pond" scheme="http://www.sixapart.com/ns/types#tag" />
    <category term="doctorwho" label="doctor who" scheme="http://www.sixapart.com/ns/types#tag" />
    <category term="mattsmith" label="matt smith" scheme="http://www.sixapart.com/ns/types#tag" />
    <category term="stevenmoffat" label="steven moffat" scheme="http://www.sixapart.com/ns/types#tag" />
    
    <content type="html" xml:lang="en" xml:base="http://moronosphere.com/">
        <![CDATA[<p>I've been watching the new Doctor Who episodes. You know the one; season 5, 11th doctor. Matt Smith and Karen Gillian. </p>

<p>If you don't know what I'm talking about, nevermind; you're not one of us, skip this entry. </p>

<p>These episodes are several weeks behind in the US; in Britain they've been playing weekly since 3 April 2010, and are up to episode four (504 if you're counting; Steven Moffat is insisting these are 101-104, not 501-504, but he's full of crap and viewers are ignoring this affectation)). </p>

<p>Results are mixed. </p>

<p>I'm not going to do a detailed episode review; no major spoilers. But the ones we've seen so far are:</p>

<p>501	"The Eleventh Hour"<br />
502	"The Beast Below"	<br />
503	"Victory of the Daleks"	<br />
504	"The Time of Angels"</p>

<p>I reviewed Eleveth Hour already; in short, it's pretty terrific, and stands well against the middling episodes of the Davis era. </p>

<p>However, there's a huge drop-off on the next two. </p>

<p>Beat Below is just ok; it's weakly plotted, has a resolution that makes no sense, and is unevenly cast and written. It's filled with classic moffat items like dead-faced robotic villains with Great Big Pointy Teeth, but here they're not scary, and not really interesting, they're just odd. </p>

<p>Victory of the Daleks takes a big leap further down. It's really just bad. While it starts well (London during the blitz, with Daleks painted army green and acting tame and helpful), it quickly leaps into utter nonsense, with non-surprising twists. It introduces a 'new' dalek, which is another clear case of Moffat trying to put his own stamp on the show by chaging something iconic. He fails hugely here, however; the new Daleks are a mad mish-mash of original dalek and Ikea furniture. They're candy-colored and stupid. The ending is awful; it makes no sense whatsoever. Watching this episode filled me with trepidation; it may be the worst single episode of the entire modern Doctor Who area (though it would have to fight with <a href="http://en.wikipedia.org/wiki/The_Girl_in_the_Fireplace">The Girl in The Fireplace</a> for that honor - an episode which, tellingly, is also written by Moffat). </p>

<p>Time of Angels, though, is a huge redemption. It re-introduces a key character from an one of Moffat's earlier episodes (<a href="http://en.wikipedia.org/wiki/Silence_in_the_Library">Silence in the Library</a>), and a villian from his most iconic run as writer, <a href="http://en.wikipedia.org/wiki/Blink_(Doctor_Who)">Blink</a>. It's well written, scary, well paced, and like Eleventh Hour, it stands well with the middling episodes of the previous era. It's the first of two, the second one airing this weekend (in britain) as <a href="http://en.wikipedia.org/wiki/Flesh_and_Stone">Flesh and Stone</a>. I have high hopes of a good second part, given that the first was good. </p>

<p>So the score: two pretty good, one bad, one terrible. Which isn't encouraging. </p>

<p>Moffat's already making some big mistakes. The Davis era was profoundly respectful of plot, and also profoundly respectful of the show's history, re-inventing only in very small ways. The innovations were in adding better writing, and a more modern way of telling stories. Moffat, on the other hand, is spending energy on changes for changes sake (those terrible candy color daleks, and a complete Tardis redesign that doesn't really improve on anything). He's not spending energy on insuring that his plots and characters move the story forward; like with Torchwood, he seems willing to allow individual writers leeway to fuck around with character motivations and behavior without an editorial hand. This leaves the episodes wildly uneven, and (so far at least) produced little in the way of arching narrative continuity over the season. </p>

<p>Sure, it's early. I do expect growing pains. These first few may be experimental. But I feel a cold fear in my belly when I look at future episodes and see the name <a href="http://en.wikipedia.org/wiki/Chris_Chibnall">Chris Chibnall</a> as writer on two (Chibnall was responsible for every single one of the worst Torchwood episodes, including the only one I had to turn off in disgust). IT tells me that while Moffat is a good writer himself, he's not a good judge of other's writing, and that's the worst thing a show runner can be on a show with many writers. </p>

<p>There's so very much to like in Moffat's 11th doctor so far. Amy Pond is an excellent companion (though I ache to see her naked, which I'm NOT getting on this show); Matt Smith is absolutely a terrific Doctor, and the arching story line that's building (a crack in teh fabric of the universe) has massive promise. But great shows, always, have to have great writing. And so far, on average, this season's writing is just ok, and no better. They're going to have to bring that level way, way up to make this work. </p>

<p>My fingers are crossed. But my expectations are dropping. </p>

<p></p>

<p></p>

<p></p>

<p></p>

<p><br />
<div class="zemanta-pixie" style="margin-top:10px;height:15px"><a class="zemanta-pixie-a" href="http://reblog.zemanta.com/zemified/1964b39d-763e-4bcb-8d65-0b85813f5d1c/" title="Reblog this post [with Zemanta]"><img class="zemanta-pixie-img" src="http://img.zemanta.com/reblog_c.png?x-id=1964b39d-763e-4bcb-8d65-0b85813f5d1c" alt="Reblog this post [with Zemanta]" style="border:none;float:right"></a><span class="zem-script more-related more-info pretty-attribution paragraph-reblog"><script type="text/javascript" src="http://static.zemanta.com/readside/loader.js" defer="defer"></script></span></div></p>]]>
        
    </content>
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<entry>
    <title>The Elevnth Hour</title>
    <link rel="alternate" type="text/html" href="http://moronosphere.com/2010/04/the-elevnth-hour.php" />
    <id>tag:moronosphere.com,2010://1.6523</id>

    <published>2010-04-07T06:35:12Z</published>
    <updated>2010-04-08T01:06:19Z</updated>

    <summary>I just watch the first episode of Matt Smith era Doctor who, The Eleventh Hour. In a word - excellent. I blogged recently about discovering the Russell T. Davis/Christopher Eccleston/David Tennant version of Doctor who. I happened to come in...</summary>
    <author>
        <name>Karl Elvis</name>
        
    </author>
    
        <category term="teevee" scheme="http://www.sixapart.com/ns/types#category" />
    
    <category term="amypond" label="amy pond" scheme="http://www.sixapart.com/ns/types#tag" />
    <category term="doctorwho" label="doctor who" scheme="http://www.sixapart.com/ns/types#tag" />
    <category term="karengillan" label="karen gillan" scheme="http://www.sixapart.com/ns/types#tag" />
    <category term="mattsmith" label="matt smith" scheme="http://www.sixapart.com/ns/types#tag" />
    <category term="the11thdoctor" label="the 11th doctor" scheme="http://www.sixapart.com/ns/types#tag" />
    <category term="theeleventhhour" label="the eleventh hour" scheme="http://www.sixapart.com/ns/types#tag" />
    
    <content type="html" xml:lang="en" xml:base="http://moronosphere.com/">
        <![CDATA[<p>I just watch the first episode of Matt Smith era Doctor who, <a href="http://en.wikipedia.org/wiki/The_Eleventh_Hour_(Doctor_Who)" target="_blank">The Eleventh Hour</a>. </p>

<p>In a word - excellent. </p>

<p>I blogged <a href="http://moronosphere.com/2010/01/are-you-with-me-doctor.php" target="_blank">recently</a> about discovering the Russell T. Davis/Christopher Eccleston/David Tennant version of Doctor who. I happened to come in at the tail end of the run, so I had the pleasant ability to watch it all is a great stream, over a couple of weeks. I finished just in time to catch the grad finale of the arc, <a href="http://en.wikipedia.org/wiki/The_End_of_Time" target="_blank">The End of Time</a>.</p>

<p>It's worth repeating; those four+ seasons, watched together, constitute some of the best television I've ever seen. great in all respects: writing, plotting, acting, casting. But mostly, it's a triumph of a show-runners vision, because all the disparate episodes form one single, cohesive story told in fragments over five years. </p>

<p>The problem with all this, of course, is what do do for a fucking encore. </p>

<p>Normally what one would suggest is, don't. No sequel, no encore. Tell a story with a finite end, make the end good, and leave it. Truly great stories have an end. But Doctor who has a constraint, in that the character is all but immortal, and the show, by it's nature, has to go on. </p>

<p>Davis did what he could; he ended <em>his</em> doctor who, in a very definitive way. He told a story, and gave it a conclusion. Rose's story was over, and with it, the 9th/10th doctor's era concluded. </p>

<p>But the show itself has to continue, as the character must. And that leaves a very big problem for whomever comes after. </p>

<p>The good thing, for a long-time fan of the show, is that one knows this doctor, for good or ill, is just a stop on the way. Some of them memorable, some less so, but when the 11th doctor's run is over, the long-time fan knows, there's a 12th. This is a bit harder for those, like my daughter's friend Kevin, who've now grown up watching the Davies-Eccleston-Tennant Doctor; yet even she (Kevin is a girl, despite the name) understands the mythology of the show. </p>

<p>All this let me come to this new Doctor with an open mind. Even after re-watching <em>The End of Time</em>, Tennant's crowning moment, I was still entirely willing to like Matt Smith's doctor, but also with appropriately lowered expectations. The recent trailers have been encouraging; Smith manages to convey both the appropriate level of whimsical silliness, and the air of power and sadness behind the grin. He looks like he's capable of a fight (if less so than Eccleston, then more so than Tennant). He also has a sort of goonieness that neither of the recent doctors posses, but which harkens back to earlier versions. The trailers have been full of Daleks and Cybermen, explosions, peril, and memortable one-liners. Also,  <a href="http://farm4.static.flickr.com/3550/3811194315_827729baaf.jpg" target="_blank">Karen Gillan</a>, who plays Amy Pond, has an appealing look, if no evident personality one can get from the trailers. </p>

<p>I've been waiting for weeks to see this new Doctor. So when a friend pointed me to a pre-US-release version of <a href="http://en.wikipedia.org/wiki/The_Eleventh_Hour_(Doctor_Who)" target="_blank">The Eleventh Hour</a>, I simply couldn't take the antipation any longer. </p>

<p>I have to say, it exceeded all my expectations. </p>

<p>It's no surprise that the episode is well written; <a href="http://en.wikipedia.org/wiki/Steven_Moffat" target="_blank">Steven Moffat</a>, the new show's runner, is the author of several of the Davies era's most memorable episodes. And it shouldn't be a surprise that Smith is terrific as the doctor, given all we know of the show's casting history. Yet Smith manages to bring both a new energy, and a clasic sense of 'whoness' to the character. He doesn't have Tennant's Shakespearean sense of comic timing, nor does he have Eccleston's tough-guy edge; but he has his own identity, and is appealing enough already that I want more. </p>

<p>From the moment he emerges from the TARDIS (crash-landed in a Gloucestershire garden), Smith inhabits the character. Both physically and verbally, he's hysterical in an early scene, desperately hungry, yet with a 'new mouth' ('<em>like eating after you've brushed your teeth'</em>, he says; '<em>everything tastes weird</em>'). The bit concludes with the Eleventh Doctor calmly discussing time and the universe with a tween-aged Amelia Pond while stuffing himself with custard and fish fingers. </p>

<p>From there, of course, all hell breaks loose, and Smith adds new quirks to the doctor's powers and character; he manages to look both awkward and heroic when he's running, and has a spaced-out look most of the time. He has comically exaggerated features; less handsome than Tennant, he still manages to be completely charming in a daft way. His high forehead and just-a-bit-too-long hair, together with his tweedy looking dress, give him a sort of absent minded professor air, almost someone you can image teaching at Hogwarts. </p>

<p>When the new adult <a href="http://upload.wikimedia.org/wikipedia/commons/archive/b/b1/20100101183340!Amy_Pond.jpg" target="_blank">Amy Pond</a> was introduced, I pretty much instantly fell for her. Red haired, fresh faced, with a scottish accent and an adorable little scar above her left eyebrow (which I think is a left-over from a healed piercing), she's a bit damaged, and pretty much exactly my type. Promo photos do her no justice whatsoever (she looks much younger in the promos, and like a sort of a generic grunge-girl.) They don't convey the sense of self-possession the character has, nor do they convey how pretty she is moving. They also don't convey how adorable she looks when she's introduced, in a <a href="http://en.wikipedia.org/wiki/Kissogram" target="_blank">kiss-o-gram</a> police girl outfit (complete with working handcuffs). In a later scene, she declines to look away when The Doctor is changing clothes, and makes a sort of a <em>yum</em> face that cemented it for me. I completely love her. </p>

<p>As a Doctor WHo episode, it's a good one. Maybe a great one, it's hard to tell on one watching. I think it's a better piece of TV then <a href="http://en.wikipedia.org/wiki/Rose_(Doctor_Who)" target="_blank">Rose</a>, the Eccleston introduction, and <a href="http://en.wikipedia.org/wiki/The_Christmas_Invasion" target="_blank">Christmas Invasion</a>, the Tennant introduction; neither one are truly great Doctor Who episodes, for all that they contain some of my favorite moments of the show ever. But I was completely without significant complaints; and immidiately wanted to look up clever quotes and screen grabs of interesting aliens. </p>

<p>I'm not just encouraged; I'm excited. This was <em>good</em>, in a lot of ways. And it has the look of a show that can carry on from where the previous team left off, forging new ground while not forgetting where they're coming from. </p>

<p>Near the end of the episode, there's a quick montage; several major Who villians (Daleks, Cybermen, SOntarans, etc), and then a montage of every incarnation of the The Doctor from William Hartnell to David Tennant. SMith walks through the tail end of the montage, saying <em>I"m the doctor</em>; and dammit, it looks like he really is.<br />
<div class="posttagsblock"><a href="http://technorati.com/tag/amy%20pond" rel="tag">amy pond</a>, <a href="http://technorati.com/tag/doctor%20who" rel="tag">doctor who</a>, <a href="http://technorati.com/tag/karen%20gillan" rel="tag">karen gillan</a>, <a href="http://technorati.com/tag/matt%20smith" rel="tag">matt smith</a>, <a href="http://technorati.com/tag/the%2011th%20doctor" rel="tag">the 11th doctor</a>, <a href="http://technorati.com/tag/the%20eleventh%20hour" rel="tag">the eleventh hour</a></div></p>]]>
        
    </content>
</entry>

<entry>
    <title>when did sex become a controlled substance?</title>
    <link rel="alternate" type="text/html" href="http://moronosphere.com/2010/04/when-did-sex-become-a-controlled-substance-1.php" />
    <id>tag:moronosphere.com,2010://1.6521</id>

    <published>2010-04-03T06:23:55Z</published>
    <updated>2010-04-03T06:44:01Z</updated>

    <summary> I&apos;ve been trying to write a screed on the utterly absurd concept of &apos;sex addiction&apos;, ever since several key celebrities (David Duchovney first, and then much more publicly, Tiger Woods and Jesse James) got caught with hands in various...</summary>
    <author>
        <name>Karl Elvis</name>
        
    </author>
    
        <category term="sex" scheme="http://www.sixapart.com/ns/types#category" />
    
    <category term="sexaddiction" label="sex addiction" scheme="http://www.sixapart.com/ns/types#tag" />
    
    <content type="html" xml:lang="en" xml:base="http://moronosphere.com/">
        <![CDATA[<p><br />
I've been trying to write a screed on the utterly absurd concept of 'sex addiction', ever since several key celebrities (David Duchovney first, and then much more publicly, Tiger Woods and Jesse James) got caught with hands in various cookie jars. </p>

<p>But I can't quite seem to find the right words; I wind up in an angry rant, rather than a calmly stated argument. </p>

<p>Luckily, there are some very intelligent people out there who are finding the words I can't. One such, found on <a href="http://www.erosblog.com/2010/04/02/run-away-run-away/" target="_blank">ErosBlog</a>, is doctor Marky Klein, who says on his blog <a href="http://sexualintelligence.wordpress.com/2010/04/01/an-epidemic-of-sex-addiction/" target="_blank">Sexual Intelligence</a>:</p>

<p><br />
<blockquote><br />
"I don't treat sex addiction. The concept is superficial. It isn't clearly defined or clinically validated, and it's completely pathology-oriented. It presents no healthy model of non-monogamy, pornography use, or stuff like S/M. Some programs eliminate masturbation, which is inhumane, naïve, and crazy.</p>

<p>Oh, I observe people with obsessive-compulsive disorder, bipolar disorder, post-traumatic stress disorder, depression, and a few other exotic states. That accounts for some of what laypeople call "sex addiction."</p>

<p>What I mostly see instead of "sex addicts" is people who are neurotic or narcissistic. They can't quite believe that the normal rules of life ("tell the truth," "all behavior has consequences") apply to them. They make promises they intend to keep--but then they want relief from frustration, or loneliness, or anxiety so much, they are unwilling to keep their promises, even promises to themselves. And some "sex addicts" just can't come to terms with having one, relatively brief, life. They want several lives, so they can have everything."</blockquote></p>

<p><br />
Read the rest of the post <a href="http://sexualintelligence.wordpress.com/2010/04/01/an-epidemic-of-sex-addiction/" target="_blank">here</a>. </p>

<p>It's refreshing to see people out who actually have a fucking clue - who know the difference between personality disorder and addiction, and who can speak articulately about what this means. He has another post on the topic <a href="http://sexualintelligence.wordpress.com/2010/02/20/our-addiction-to-tiger-woods'-" sex-addiction"="" target="_blank">here</a>, speaking about Tiger woods and the rush to call his misdeeds addiction:</p>

<blockquote>
"...But calling any of them "sex addicts" deprives them of a proper diagnosis and psychologically profound treatment. It focuses on the surface symptom--sexual behavior--while ignoring possible deeper dynamics. Don't tell me that "sex addiction" treatment eventually gets there. I start there. Too often, "sex addiction" treatment just doesn't get around to it."</blockquote>

<p>Again, he distills my angry rant into something coherent and concise. </p>

<p>The entire topic, tends to reduce me to mute fury; I think that's part of why I'm having so much trouble with it. </p>

<p>I have close friends and relatives who've struggled with alcoholism, drug abuse. I've also seen and lived with mental illness. Seeing the term 'addiction', which has a very real meaning, tossed around causally infuriates me, both from a purely semantic viewpoint (the word has a goddamned meaning, and "i really really like this" isn't it), and from a real sense of the effect addcition has on the lives of addicts and the people around them. </p>

<p>The choice, then, to apply the word addiction to something as biologically essential as sex is utterly absurd. It's akin to calling someone a shelter addict, a companionship addict, a nutrition addict. </p>

<p>Are there people who take beneficial things to extremes? Of course there are. Drinking too much water can kill you, if you carry it far enough. In sufficient concentration, oxygen becomes toxic. But we don't apply the term 'addiction' to them. We're applying causation to the symptom. </p>

<p>But it's not the mis-use of terminilogy that really bothers me; that's a losing battle in the world. Words lose and gain meaning in an endless stream. </p>

<p>The bigger problem is the continued vilification of sexuality. Because, for all our enlightenment, for all our 21st century 24x7 porn stream, we still are fundamentally a puritan culture, who want to shake a stern finger at anyone who really, really, really likes sex. </p>

<p>It isn't news that our culture is still very sex-hostile. Violence is available on every television, every video game, every comic book. Yet sex is hidden behind closed doors, wrapped in plain brown wrappers. Soldiers and fighters are celebrated; courtesans and nudity are punished. Sex, still, is a source of shame. Never mind that it is more universal to humanity than any culture, any art, any food, drink, sport. Nevermind that each and every one of is here because someone had sex. It is still something we have to hide, something we pretend we're not doing.</p>

<p>The entire idea of 'Sex Addiction,' is nothing less than the vilification of sex itself. It is the product of a toxic cultural prohibition of sexuality. It is the product of a culture that celebrates crime and acquisition, yet fines and jails people who show off nipples.</p>

<p>When I read a headline about some celebrity entering 'treatmen't, I see a scenario of public humiliation and punishment. I imagine a spouse who feels cheated on, demanding a pointless gesture. "I'll take you back," he or she says, "if you prostrate yourself before me and the world."</p>

<p>What we see is an empty, symbolic gesture, a public humiliation. We don't brand with a scarlet letter anymore; we instead call press agents and fall upon rubber swords before E! and Perez Hilton.</p>

<p>For what?</p>

<p>For having 'too much' sex; for doing what is wired into our genes. For hearing the genetic imperative and passing on that code well and freely.</p>

<p>The funny thing is, we don't use terms like 'nymphomaniac' anymore. We've grown up enough to no longer use a derogatory term for women who actually enjoy sex. Yet we've only replaced it with a gender-nuetral idea of the same thing. Instead of 'mania' we call it call it 'hypersexuality' and honor it with an <a href="http://en.wikipedia.org/wiki/ICD" target="_blank">IDC</a> number. Yet we don't label breathing or sleeping or taking a crap with the term 'mania', or give them numeric codes signifying them as disorders. </p>

<p>Sex, though; ex is still <em>special</em>. And too much of it, we still seem to think - at least when someone else has too much - is still a disease.</p>

<p>Are there people out there who need treatment? Absolutely, yes. And absolutely, sometimes the symptom we see is sexual. But sex isn't the disease, it's the symptom. </p>

<p>Unfortunately - inescapably - sex is also more interesting than disorders with odd names like 'borderline' or 'narcissistic' or 'obsessive'. Because it's so completely fundamental to who and what we are, we're always going to pay more attention to words like "whore" and "cock" and "orgasm" than we will to dry, confusing clinical terms. And that means those who want to sell newspapers, to draw us in to web sites, will always take excuse to use lurid, interesting terms, and accuracy be damned. </p>

<p>It's a losing battle, today, to try to explain why the notion of sex addicton is absurd. Almost certainly, average americans have read the term, and heard of some movie star getting treatment. That's proof enough for most of us; indeed, if it wasn't real, doctors wouln'dt be treating it, would they?</p>

<p>But this is all the more reason why it needs to be repeated, even after we all get bored with the idea. Sex isn't a goddamned disease; sexual addiction isn't a meaningful term. It is, as Dr Marty Klein puts it, a <em>bogus concept</em>.</p>]]>
        
    </content>
</entry>

<entry>
    <title>backpiece: eleventh session</title>
    <link rel="alternate" type="text/html" href="http://moronosphere.com/2010/03/backpiece-eleventh-session.php" />
    <id>tag:moronosphere.com,2010://1.6519</id>

    <published>2010-03-26T16:27:59Z</published>
    <updated>2010-03-26T16:29:02Z</updated>

    <summary> One mariner&apos;s dolphin done, one to go. We have two last sessions more and then i&apos;m DONE. (click to embiggen)...</summary>
    <author>
        <name>Karl Elvis</name>
        
    </author>
    
        <category term="tattoos" scheme="http://www.sixapart.com/ns/types#category" />
    
    <category term="backpiece" label="backpiece" scheme="http://www.sixapart.com/ns/types#tag" />
    
    <content type="html" xml:lang="en" xml:base="http://moronosphere.com/">
        <![CDATA[<p></p>

<p>One mariner's dolphin done, one to go. We have two last sessions more and then i'm DONE. </p>

<p></p>

<p><br />
<center><br />
<a href="http://moronosphere.com/IMAGES/IMG_8326_2_crop.jpg"><img src="http://moronosphere.com/IMAGES/IMG_8326_2_crop-tm.jpg" width="300" height="774" alt="IMG_8326_2_crop.jpg"></a></p>

<p>(click to embiggen)<br />
</center></p>]]>
        
    </content>
</entry>

<entry>
    <title>Belladonna and Fetish skulls</title>
    <link rel="alternate" type="text/html" href="http://moronosphere.com/2010/03/Belladonna and Fetish skulls.php" />
    <id>tag:moronosphere.com,2010://1.6517</id>

    <published>2010-03-17T02:37:08Z</published>
    <updated>2010-03-17T17:29:37Z</updated>

    <summary>It&apos;s been a while since I&apos;ve talked about my friend Juilan Lamb&apos;s work. Julian&apos;s company, Ruby Crush, makes some distinctive and creative jewelry. But as with many creative people, he&apos;s lacked a good web presence. His original site was updated...</summary>
    <author>
        <name>Karl Elvis</name>
        
    </author>
    
        <category term="skull rings" scheme="http://www.sixapart.com/ns/types#category" />
    
    <category term="julianlamb" label="julian lamb" scheme="http://www.sixapart.com/ns/types#tag" />
    <category term="rubycrush" label="ruby crush" scheme="http://www.sixapart.com/ns/types#tag" />
    
    <content type="html" xml:lang="en" xml:base="http://moronosphere.com/">
        <![CDATA[<p>It's been a while since I've talked about my friend Juilan Lamb's work. </p>

<p>Julian's company, Ruby Crush, makes some distinctive and creative jewelry. But as with many creative people, he's lacked a good web presence. His original site was updated once and then left. </p>

<p>Recently though, he's started over; new site, new blog, and to go with it, some fantastic new jewellery (to use the british spelling). The new site looks great; new logo, new slogan (<em>Infamous English Jewelry</em>, which I think is great), great gallery. </p>

<p><br />
As well as skull rings, he has <a href="http://www.rubycrush.co.uk/JEWELLERY/cufflinks/jewellerybox_cufflinks.html" target="_blank">cufflinks</a> I'm absolutely drooling over, some wonderful pendants, earrings, and some stylish, elegant bracelets. </p>

<p>But it's the rings that really make a statement. I've blogged about his <a href="http://moronosphere.com/2006/09/fist-fulla-elvis.php" target="_blank">elvis ring</a> before, but he's gone far beyond that now, adding Sid Vicious and Jimi Hendrix. I have three of his <a href="http://www.moronosphere.com//images/three-bear-skulls.jpg" target="_blank">earlier skull rings</a>, the Classic, the Vintage and the Femme Fatale (an xmas present for Barb a few years back). But he's got several new models; the Absinth, the Belladonna, and the piratical Sweet Revenge, and the new Fetish skull (all viewable <a href="http://www.rubycrush.co.uk/JEWELLERY/rings/jewellerybox_rings.html" target="_blank">here</a>, though I can't direct link to the individual pages). </p>

<p>The other thing that's really terrific about Julian's new site is that it's got some breathtaking examples of Julian's <a href="http://www.rubycrush.co.uk/JEWELLERY/custom/jewellerybox_custom.html" target="_blank">custom work</a>. Like many of my other jeweler friends, this is where the creativity really shines (though obviously, this is also where the prices skyrocket.) Make sure to brose the custom gallery, though, for some amazing work, AND for some really wonderful, moody photography (I wish I could figure out how to take shots like this of my rings). </p>

<p>Julian, who in addition to beaing a gifted artist, is also a hell of a nice guy, recently sent me a couple of samples to check out. </p>

<p>Below are pictures of his brand new 'fetish skull', which is a smaller skull, well suited to smaller hands, or as a pinky ring on big fists like mine. Also pictured is his 'belladonna' ring, which reminds me of the Deadrings Classic, though it features some distinctive details I really like (It's also a bit more delicate than the Deadringers). </p>

<p>Also pictured in the full hand pix are the older 'classic' and 'vintage', mentioned in previous postings. </p>

<p></p>

<center>
<a href="http://moronosphere.com/apple_crush.jpg"><img src="http://moronosphere.com/apple_crush-tm.jpg" width="133" height="100" alt="apple_crush.jpeg"></a><a href="http://moronosphere.com/belladonna.jpg"><img src="http://moronosphere.com/belladonna-tm.jpg" width="99" height="100" alt="belladonna.jpeg"></a><a href="http://moronosphere.com/apple_crush_2.jpg"><img src="http://moronosphere.com/apple_crush_2-tm.jpg" width="133" height="100" alt="apple_crush_2.jpeg"></a>

<p></p>

<p><a href="http://moronosphere.com/handfull_of_crush.jpg"><img src="http://moronosphere.com/handfull_of_crush-tm.jpg" width="89" height="100" alt="handfull_of_crush.jpeg"></a><a href="http://moronosphere.com/fistfull_crush.jpg"><img src="http://moronosphere.com/fistfull_crush-tm.jpg" width="89" height="100" alt="fistfull_crush.jpeg"></a><a href="http://moronosphere.com/handful_crush.jpg"><img src="http://moronosphere.com/handful_crush-tm.jpg" width="133" height="100" alt="handful_crush.jpeg"></a></p>

<p>(click these to embiggen)</p>

</center>

<p></p>

<p>  <br />
I'm very happy with these two rings. The Belladonna is very wearable - reasonably light, and low-profile for a large ring. The Fetish ring is interesting in that it's a toothless skull, the only one like it I've seen. The effect is particularly macabre. </p>

<p>My sample of the fetish skull was an early casting, so some of the edges (particularly the gum-line) are faintly sharp; however Julian assures me this is corrected in the production casting. A tiny bit of filing should correct this on my sample (and I in no way mind this). The distinctive features work extremely well aesthetically though; it has the slightly exaggerated look needed to make a small skull make sense. This is the first pinky ring in my collection, and as such, will get lots of wear. </p>

<p>Both rings came sized <em>exactly</em> as ordered, which is a huge plus for me; comfort depends on sizing.</p>]]>
        
    </content>
</entry>

<entry>
    <title>The Piston Ring</title>
    <link rel="alternate" type="text/html" href="http://moronosphere.com/2010/03/the-piston-ring.php" />
    <id>tag:moronosphere.com,2010://1.6516</id>

    <published>2010-03-11T21:11:03Z</published>
    <updated>2010-03-18T06:16:52Z</updated>

    <summary>I have to share these photos of Carlos&apos; new piston ring, customized for celebrity chef Guy Fieri. More details over in Dora&apos;s Guy Fieri Blog. Carlos is such an awesome guy; I really want one of everything he makes. I...</summary>
    <author>
        <name>Karl Elvis</name>
        
    </author>
    
        <category term="jewelry" scheme="http://www.sixapart.com/ns/types#category" />
    
        <category term="silver" scheme="http://www.sixapart.com/ns/types#category" />
    
        <category term="skull rings" scheme="http://www.sixapart.com/ns/types#category" />
    
    <category term="guyfieri" label="guy fieri" scheme="http://www.sixapart.com/ns/types#tag" />
    <category term="pistonfingerring" label="piston finger ring" scheme="http://www.sixapart.com/ns/types#tag" />
    <category term="pistonring" label="piston ring" scheme="http://www.sixapart.com/ns/types#tag" />
    <category term="silverpistonring" label="silver piston ring" scheme="http://www.sixapart.com/ns/types#tag" />
    <category term="sinnersinc" label="sinners inc" scheme="http://www.sixapart.com/ns/types#tag" />
    
    <content type="html" xml:lang="en" xml:base="http://moronosphere.com/">
        <![CDATA[<p>I have to share these photos of Carlos' new piston ring, customized for celebrity chef Guy Fieri.</p>

<p></p>

<p><br />
<center><br />
<img src="http://moronosphere.com/Ring1-tm.jpg" width="200" height="204" alt="Ring1.jpeg"><a href="http://moronosphere.com/Ring2.jpg"><img src="http://moronosphere.com/Ring2-tm.jpg" width="200" height="204" alt="Ring2.jpeg"></a></p>

<p><a href="http://moronosphere.com/GuyAndCarlos.jpg"><img src="http://moronosphere.com/GuyAndCarlos-tm.jpg" width="200" height="133" alt="GuyAndCarlos.jpg"></a><a href="http://moronosphere.com/Ring1.jpg"></a></center><a href="http://moronosphere.com/Ring1.jpg"></a></p>

<p></p>

<p>More details over in Dora's <a href="http://guyfieri.blogspot.com/2010/01/fans-give-back-and-connect-with-guy.html" target="_blank">Guy Fieri Blog</a>.</p>

<p><br />
Carlos is such an awesome guy; I really want one of everything he makes. I wear his spade ring every day, and he recently gifted me with a prototype of his <a href="http://moronosphere.com/2009/11/sinners-skull.php" target="_blank">huge skull ring</a>. I'm stoked to see him getting wider notice. If you're watching <a href="http://www.boingboing.net/2010/03/10/minute-to-win-it-fun.html" target="_blank">Minute to Win It</a> (Which is supposed to be cool, though I have not yet checked it out), you'll see more of Carlos' work all over Guy's hands. </p>

<p>Carlos' web site is here: <a href="http://www.sinners-inc.com/">http://www.sinners-inc.com/</a> though it's out of date and (alas) flash heavy. He's looking for a web designer to help him revamp it though, so it should be updated soon. He's also got a <a href="http://www.myspace.com/sinners_incorporated">myspace page</a> with more current info.</p>

<div class="zemanta-pixie" style="margin-top:10px;height:15px"><a class="zemanta-pixie-a" href="http://reblog.zemanta.com/zemified/c1c2b5a3-f719-4c41-9792-512150d8f7c8/" title="Reblog this post [with Zemanta]"><img class="zemanta-pixie-img" src="http://img.zemanta.com/reblog_c.png?x-id=c1c2b5a3-f719-4c41-9792-512150d8f7c8" alt="Reblog this post [with Zemanta]" style="border:none;float:right"></a><span class="zem-script more-related more-info pretty-attribution paragraph-reblog"><script type="text/javascript" src="http://static.zemanta.com/readside/loader.js" defer="defer"></script></span></div>]]>
        
    </content>
</entry>

<entry>
    <title>The muse of distraction</title>
    <link rel="alternate" type="text/html" href="http://moronosphere.com/2010/02/the-muse-of-distraction.php" />
    <id>tag:moronosphere.com,2010://1.6510</id>

    <published>2010-02-24T01:09:23Z</published>
    <updated>2010-02-24T01:07:17Z</updated>

    <summary>My head&apos;s been in a strange place of late. While my shoulder heals well ahead of schedule, my sleep still falls victim to it&apos;s ache. My normal sleep habits - a mess at the best of times - are now...</summary>
    <author>
        <name>Karl Elvis</name>
        
    </author>
    
        <category term="writing" scheme="http://www.sixapart.com/ns/types#category" />
    
    
    <content type="html" xml:lang="en" xml:base="http://moronosphere.com/">
        <![CDATA[<p>My head's been in a strange place of late. </p>

<p>While my shoulder heals well ahead of schedule, my sleep still falls victim to it's ache. My normal sleep habits - a mess at the best of times - are now completely fractured. </p>

<p>It's no secret that I've been had hell's own time writing recently, to the point where I had lost all care or interest in it.  But over the last couple of weeks, I've begun to feel the return of some faint muse. </p>

<p>Characters are starting to regain their voices. Only, they are doing so in the middle of the night. </p>

<p>Every night this week, when I'm just down far enough into the well of sleep that I can't drag back out without struggle (or caffeine), I start thinking of things I need to write. Characters, stories, themes, settings. </p>

<p>I actually got up one night over the weekend, with this piece of dialog in my head:</p>

<blockquote><i>
"Where'd this come from," she asked me, running a finger over the faintly puckered skin above my right ear.

<p>The scar itself was numb, but the skin around it was oddly sensitive. It tingled when she traced it's jagged outline.</p>

<p>"Walked into a door," I said.</p>

<p>She stroked my scalp, the day and a half of stubble making a faint scraping sound. </p>

<p>"I like it," she said.<br />
</i></blockquote></p>

<p><br />
It wasn't much, but it was enough. I could visualize the woman - her short, stylishly cut hair in some perfect honey shade, her mellow voice, her skin tan and just beginning to show her fourty years.  I knew the narrator; a sort of stock character out of my head - big, road-worn, a bit taciturn, and with dark secrets in his past. I knew how they wound up together, and where they were (her bed, with late afternoon sun through expensive curtains, fading light on sex-tossed covers the color of caramel. I had her entire house in my head, her colors, her expensive, understated taste. I even knew what car was parked (somewhat crookedly, like she'd been in a hurry) in the carport beside her house. </p>

<p>I knew the conversation, up until he opens his mouth, pauses, and then begins to tell her his story. And then it ran out. I didn't know what the story was. Or to be more specific, while I knew what story he'd tell her, I didn't know what THIS story was, that I was telling. </p>

<p>I wrote it down, and saved it. A small victory; the first bit of fiction that's gotten all the way out of my head and onto (virtual) paper in more months than I can remember. </p>

<p>But it's been that way every night. Last night, a pair of characters wandered into my head and tried to talk to me. A female young traveler, and the mate of some craft, making a lonely traverse. I don't know if this was a ship crossing bodies of water, or some spaceship crossing unimaginable gulfs, or an airship in some steampunk past-future. But I could hear her voice, and hear him tell her how everyone else on the ship slept, his low rank leaving him on the bridge. </p>

<p>They never got to the point where it became a story; just a setting, faces, emotions (pride, loneliness) and an physical environment of cold and isolation.</p>

<p>Today, I tried to write a bit of that down, but I had nothing. I couldn't summon the scene, merely it's description. Like all the veins of creativity I've encountered between sleep and wake, it was small, and not found again once lost. </p>

<p>Inspiration, for me, is profoundly elusive. I have never found a way to turn it on, and so often find it slipping. The muse of distraction speaks more loudly, always, than that of creation. But at least I begin to hear those whispers. I've missed the voice of creative inspiration. </p>]]>
        
    </content>
</entry>

<entry>
    <title>time lord victorious</title>
    <link rel="alternate" type="text/html" href="http://moronosphere.com/2010/02/time-lord-victorious.php" />
    <id>tag:moronosphere.com,2010://1.6509</id>

    <published>2010-02-23T20:20:49Z</published>
    <updated>2010-02-23T20:20:03Z</updated>

    <summary>My friend Kyle just started a blog. He gets extra props for an excellent title. He&apos;s short of readers. Go give him some lovin&apos;. http://timelordvictorious.blogspot.com/...</summary>
    <author>
        <name>Karl Elvis</name>
        
    </author>
    
        <category term="blogosphere" scheme="http://www.sixapart.com/ns/types#category" />
    
    <category term="kylebailey" label="kyle bailey" scheme="http://www.sixapart.com/ns/types#tag" />
    
    <content type="html" xml:lang="en" xml:base="http://moronosphere.com/">
        <![CDATA[<p>My friend Kyle just started a blog. He gets extra props for an excellent title. </p>

<p>He's short of readers. Go give him some lovin'. </p>

<p><a href="http://timelordvictorious.blogspot.com/" target="_blank">http://timelordvictorious.blogspot.com/</a></p>

<p><br />
</p>]]>
        
    </content>
</entry>

<entry>
    <title>I don&apos;t know anything</title>
    <link rel="alternate" type="text/html" href="http://moronosphere.com/2010/02/i-dont-know-anything.php" />
    <id>tag:moronosphere.com,2010://1.6507</id>

    <published>2010-02-19T19:02:24Z</published>
    <updated>2010-02-19T19:42:50Z</updated>

    <summary> One of those Gurus songs I&apos;ve never really payed attention to. Damn, what a great song. I Don&apos;t Know Anything - Hoodoo... I&apos;ve got a lot to learn And bridges that I still have not burned. UntiI I find...</summary>
    <author>
        <name>Karl Elvis</name>
        
    </author>
    
        <category term="music" scheme="http://www.sixapart.com/ns/types#category" />
    
    <category term="hoodoogurus" label="hoodoo gurus" scheme="http://www.sixapart.com/ns/types#tag" />
    <category term="magnumcumlouder" label="magnum cum louder" scheme="http://www.sixapart.com/ns/types#tag" />
    
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        <![CDATA[<p></p>

<p>One of those Gurus songs I've never really payed attention to. Damn, what a great song. </p>

<p></p>

<p><br />
<object type="application/x-shockwave-flash" data="http://www.lala.com/external/flash/SingleSongWidget.swf" id="lalaSongEmbed" width="220" height="70"><param name="movie" value="http://www.lala.com/external/flash/SingleSongWidget.swf"><param name="wmode" value="transparent"><param name="allowNetworking" value="all"><param name="allowScriptAccess" value="always"><param name="flashvars" value="songLalaId=3891391591880810826&amp;host=www.lala.com&amp;partnerId=membersong"><embed id="lalaSongEmbed" name="lalaSongEmbed" src="http://www.lala.com/external/flash/SingleSongWidget.swf" width="220" height="70" type="application/x-shockwave-flash" pluginspage="http://www.macromedia.com/go/getflashplayer" wmode="transparent" allownetworking="all" allowscriptaccess="always" flashvars="songLalaId=3891391591880810826&amp;host=www.lala.com&amp;partnerId=membersong"></embed></object><div style="font-size: 9px; margin-top: 2px;"><a href="http://www.lala.com/song/3891391591880810826" title="I Don't Know Anything - Hoodoo Gurus" target="_blank">I Don't Know Anything - Hoodoo...</a></div></p>

<p><br />
<blockquote><br />
I've got a lot to learn <br />
And bridges that I still have not burned. <br />
UntiI I find a way <br />
I'll only end up back where I am today but <br />
I don't know anything, <br />
Anything at all. </p>

<p>I know that I ain't smart. <br />
I get tangled up in the strings of my heart <br />
So tight I cannot breathe <br />
I'd cut them if I knew what was good for me but <br />
I don't know anything,<br />
Anything at all. </p>

<p>I must be the king of fools,<br />
A court jester making rhymes in nursery school, <br />
Like: "Jack be nimble, Jack be quick <br />
You can blow my candle, Jack, if you can<br />
teach me how to light my wick 'cos <br />
I don't know anything.<br />
</blockquote></p>]]>
        
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