Prog Rock Island

I can’t stop listening to this stunning song. David Gilmour – possibly the most stylish guitarist of all time, and the other brilliant creative mind behind Pink Floyd – is about to realease a new album. I picked up the single from iTunes music store – On an Island. It’s a dreamy, ethereal piece that […]

I can’t stop listening to this stunning song.

David Gilmour – possibly the most stylish guitarist of all time, and the other brilliant creative mind behind Pink Floyd – is about to realease a new album.

I picked up the single from iTunes music store – On an Island.


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It’s a dreamy, ethereal piece that sounds, more than anything else, like Obscured by Clouds-era Pink Floyd, that then breaks into some of the most brilliant, classic Gilmour guitar playing I’ve ever heard. It’s one of those songs that almost sounds like a clinic in how to do it, the way I felt listing to Sonny Rollins play a fifteen minute sax solo when I saw him live a few years back. Like you could sit and listen and learn everything you need to know about how to play a perfect solo. It also features stunning backup vocals by David Crosby and Graham Nash, who may be geezers but wow can they still sing.

I was a huge Pink Floyd fan – and still am. But my favortite Pink Floyd isn’t the stuff that sold a bazillion records. I don’t really like Dark Side of the Moon, nor do I much like The Wall. They have great songs on them but they’re not what I consider Pink Floyd’s creative, artistic peaks.

My favorite albums were some of the less massively successful ones; Animals, Meddle, Obscured by Clouds. I tried hard to love the Syd Barret era Floyd, but as brilliant as Barret was, those albums lacked Gilmour’s guitar, and to my ear, that was such a huge component of Pink Floyd’s sound that they never quite stuck with me. They’re great, but I don’t love them.

I stopped listening to Pink Floyd after The Wall. They’d said what they had to say. Waters was spinning off into ego-land and the band had taken on that commercial juggernaut sound, were turning into one of those dinosaur acts that need to stop a while. But I still listen to the old albums, have them all on CD and vinyl. And I love them.

This song has something – something of that old, classic Pink Floyd, something of Gilmour’s first solo album (which I loved when it came out, and wish I could get now, though it’s not yet back in print); and yet it sounds current, not like he simply went back and said I can do that again.. It sounds like that because that sound is David Gilmour.

God I hope the rest of the album – due out next week – is this good.

Personal Pages, Profanity

Well now. I’ve been upgraded – or downgraded – or degraded. Or just, you know, graded. Feels like that, or maybe that’s more grated, and it feels like that as well. Secure Computing, the motherfuckers who sell STOOPIDfilter to repressive countries and companies, agreed that I wasn’t Pornography, sex. Evidently I’m Personal Pages, Profanity, with […]

Well now. I’ve been upgraded – or downgraded – or degraded. Or just, you know, graded. Feels like that, or maybe that’s more grated, and it feels like that as well.

Secure Computing, the motherfuckers who sell STOOPIDfilter to repressive countries and companies, agreed that I wasn’t Pornography, sex.

Evidently I’m Personal Pages, Profanity, with a side of Personal, Mature.

Well, fuck yeah. That’s me. The Moronosphere, ProfanityBlog.

Because we’re all about the effword here.

Maybe it’s mature that bothers me more. Who you callin’ fuckin’ mature? We ain’t got no fuckin’ maturity here. Not a sausage. Not a drop. Not a fuckin’ cc, baby.

I guess the point is that the people at Secure Computing listen if we complain, but they still do the wrong thing and slap a fucking label on something they don’t get.

I’ll have to see if we’re still banned in the fuckin’ UAE. They’re not allowed pornography, let’s see if they’re allowed to read the effword.