big five – the wood anniversary

Five years. 1,175 entries. 6,000 comments. Three ISP’s, a half dozen servers, several crashes. It’s been a bit of a ride, huh? Five years ago yesterday I started blogging. You can read about that here or here or here or here. And each yeah it seems like I have less to say about it. This […]

Five years.

1,175 entries.

6,000 comments.

Three ISP’s, a half dozen servers, several crashes.

It’s been a bit of a ride, huh?

Five years ago yesterday I started blogging. You can read about that here or here or here or here.

And each yeah it seems like I have less to say about it.

This last year has been a fucked up ride. If you’re reading you know a bit about it. If you haven’t been, feel free to. It’s been a terrible year for me creatively; I’ve written fuck-all, and I’m not seeing that get better yet. Blogging has fallen victim to all this, but so has every other form of self-expression I have.

Here’s to a change in all that.

To all you bloggers out there, write something. Come up for air now and then. Facebook and twitter and myspace ain’t enough.

For me – I have more to say; I don’t know why I’m having so much trouble saying it.

Meanwhile, tonight I go look at a sketch for my backpiece, and tomorrow I pick up my thruxton. Speed and pain, baby.

two wheels good

I just put a deposit on a new motorcycle. After looking at, and sitting on, and considering everything from retro-clasic ducatis to harley sportsters to street-fighter yamahas, kawasakis and suzukis, I fell back to a motorcycle that really, truly looks like a motorcycle. I’m buying another triumph. My last bike was a triumph as well. […]

I just put a deposit on a new motorcycle.

After looking at, and sitting on, and considering everything from retro-clasic ducatis to harley sportsters to street-fighter yamahas, kawasakis and suzukis, I fell back to a motorcycle that really, truly looks like a motorcycle.

I’m buying another triumph.

My last bike was a triumph as well. But it was one of triumph’s modern rides; clad in plastic, curvy and modern, heavy and powerful and comfortable.

Some bikes are good to ride; but others have soul.

I grew up around motorcycles. My father rode little hondas and suzukis; my aunts boyfriend rode harleys. My mom’s bosses at a local bookstore rode bmws. And I grew up trying to decide if I should get a norton, or a harley, or a triumph.

The name Triumph, for people my age, brings to mind Steve McQueen jumping fences in the great escape. It brings to mind the café racer scene of ’60s london. It was the bike of the ‘rockers’, when one imagines mods vs rockers.

The Triumph of that era was a stripped down twin, built for speed. IN it’s day, it was one of the fastest motorcycles around.

I love motorcycles. I always have. I love plastic transformer monstrosities, I love absurdly customized choppers and bobbers. And I’d collect them, if I had time and space and money, one of each type I can imagine.

Motorcycles differ from cars; cars are, almost universally, an exercise in compromise. They’re built to server several purposes at once; cargo and passengers, comfort and safety, economy and performance, reliability and affordability. Very few of them do one thing extremely well, and of those, most are race cars or work trucks.

Bikes though, almost universally, do one thing well. A suzuki hayabusa goes motherfucking fast. A harley low rider looks really cool and grunts incredibly loud. a kz650 ride trails. A gold wing goes long, long, long distances in comfort while having as much storage as a car. Harleys don’t do trails, hayabusas don’t go a long with comfortably with cargo. Sure, there are the few in-between bikes (sport touring), but they’re really one kind of bike with something else grafted onto it.

What this means is, when you buy a bike, you really need to understand what you’re getting.

I’ve spent far too much time over the last month pondering what I wanted. I knew what I didn’t want; no plastic. I knew I wanted light, maneuverable, sorty, fun to ride. I wasn’t looking at touring bikes (I never bike tour), I wasn’t looking at cruisers (when I get one, it’s going to be the real deal, a huge harley). And what I kept coming back to was the Bonneville.

The Bonneville is the triumph of my youth, without the oil leaks and kick starts and electrical problems. It’s a re-imagined version of the bike I wanted way back then. It’s my father’s bikes, but with guts and reliability.

And the one that kept speaking to me was the cafe-racer styled Thruxton.

It’s not a practical bike. It doesn’t have a nice big screen to make long rides comfortable. It’s not a relaxed upright position that would make highway miles as easy as sitting at a desk. And it’s not the fastest bike out there, the lightest. What it is, though, is the kind of bike I’ve always loved. And it suits the riding I actually do; short runs, to and from work and around town. It’s a bike you can get out just to get it out, unlike my Trophy, which always seemed grumpy until it’d been rolling at speed for 15 minutes.

I spent the last two days trying to find one. They’re something of a rarity right now, at least the ’09 version is; which isn’t surprising. Triumph’s fixed a lot little things about the bike with this rev, given it better bars, and dropped in the EFI they’ve been using in other models for years. I found one, finally, way up in Concord.

It won’t be ride-ready ’til the weekend. But I can’t wait. I need to roll.

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not just machines

It’s funny, I almost never get emotional over selling cars. While I bond to them well enough, I don’t name them, don’t spend hours and dollars customizing them to a fast degree. But there are those I connect to. My jeep – I felt a deep pang of wrongness when I drove away from the […]

It’s funny, I almost never get emotional over selling cars. While I bond to them well enough, I don’t name them, don’t spend hours and dollars customizing them to a fast degree.

But there are those I connect to. My jeep – I felt a deep pang of wrongness when I drove away from the dealer where I’d traded it in. NOt for my first chevy impala, nor my first or second pickup truck. Not for my mazda van (the first car to carry the ‘GURU MBL’ license plate), nor when I traded either of the vehicles that followed it. I was happen when I left my Titan in a lot and drove off in my xB.

That one, the xB, may be different when I sell it. This car, I feel something for. A desire to make it visibly MINE. For the first time EVER, I got talked into a personalized plate.

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But with motorcycles it’s different. Even the first one – a completely shitty ’83 Virago 920, it seemed like I was abandoning a loyal steed. When my following bike (a Honda Shadow) was turned into a pretzel by another driver, I was as close to murder as I’ve ever been; I still recall screaming at him, me in full leathers and waving my helmet like some sort of bludgeon, screaming “SON OF A BITCH!, YOU KILLED MY FUCKING BIKE !”.

It was pure tragedy for me. Not least because of the injuries I suffered (bruises, cuts, and a severely sprained back), but because the first bike I ever LOVED was brutally killed. It felt personal.

The next bike was an FJ1200. It was a whim purchase; I wanted to go faster, to prove to myself the accident hadn’t broken my nerve. And I wanted a bike that was really different. I can’t say I bonded to it completely, and one week, when barb was pregnant with Olivia and I had two near-death-near-wipeout experiences in the same week, I decided the FJ was just too damn much bike for me at the time (too easy to go too fast). So traded it in on a Kawasaki Vulcan, and even bigger bike (1500cc), but nowhere near as fast. Even so, I wanted to keep the FJ, felt bad about walking away.

The Kawasaki was easier. It wasn’t the right bike for my needs. I had a 30 mile commute each way, and no reliable car. The bike wasn’t well set up for long rides and luggage, and wasn’t comfortable for passengers. When I sold it, I knew I was moving up to a bike I’d always wanted, in spirit at least. And I was selling the Kawasaki to my friend Chris, so it felt like it was in the family (though he turned around and traded it for a moto guzzi a month later, and then traded THAT for a BMW.

But the bike I bought was something important. It was a Triumph.

The name Triumph means something to me. My father rode, his friends rode. My aunt’s friends rode. Motorcycles were a big part of my youth. Names like Norton, BSA and Triumph were always around, as were Harley and Suzuki and Honda (those last two my father’s preference; little japanese bikes).

My father also collected and re-built british soprts cars. MG’s, Morgans, and mostly, Triumphs. We had spitfires and tr2s and tr3s. My father had these little race cars around for most of my childhood (though it strangely stopped when I got close to driving age.

I spent my youth wanting nortons and triumphs. So when I realized that Triumph had risen from the grave and was building new bikes, I started thinking, i need one.

The bike I chose – the Trophy – was a perfect commute bike. Sporty, fast, comfortable, with excellent weather protection and luggage. It was built to roam europe. And it was in one my favorite colors, British Racing Green. And I loved that bike.

The trouble with that bike was simple; it was made to run. Like a racing greyhound or a thoroughbred horse, it needed to move, long and often. But I changed my job, and my commute went from 30 miles to 3.

I had visions of motorcycle trips with friends, but somehow, none of us ever got it to happen. Too many wives, too many kids (though those don’t work for Chris; maybe just too much work or too little ability to commit). Whatever it was, we never once put together a ride. So the Trophy tended to sit in my garage, more trouble to get out than it saved me to ride it. If I’d been freeway commuting 10 miles, it would have payed out. But with my surface road, three mile commute, it actually meant my trip to work was longer, not shorter.

So I’ve had to do more maintenance than needed due to leaving the beast to sit. And I’ve never put the kind of miles on her that I should have.

I’ve tried for two years now to talk myself into selling her – and you see, I’ve now given my Trophy a gender, for the first time ever. I wasn’t quite able to get myself there. Last summer, I put several hundred dollars into maintenance, and then STILL didn’t ride all that much. The size of the trophy (top heavy, tall, not meant to tool around in and out of parking lots) makes it more work to ride. I never took it on an errand, never rode it to dinner, rarely rode it anywhere but to work.

Last month, I started soul searching. Did I need a bike at all? AM I just *over* motorcycles? Or do I need to make a choice that suits the riding I actually do?

I pondered a great deal. Because my heart’s desire isn’t the light and nimble bike I know would be most useful. It’s a Harley, like uncle Doug rode in the 60’s and 70’s. Doug was a real one percenter, a real hells angels kind of rider. And he was a hero to me, with his bad tattoos and his truck full of harley parts, and his drug dealing. He and his friends rode the bikes I had dreams about.

I don’t see Harley as today’s stupid doctors and lawyers icon. I see it as it was before that, when it was a street rod. And that’s what I really want. Bikes like they ride on Sons of Anarchy.

But that’s impractical in so many ways, despite the desire. They’re vastly too expensive out the door, and then they need another ten grand of add-ons to bring performance up and put my own stamp on the bike. And I’m back into the land of big, heavy and awkward.

So I checked down the lists of what I wanted in a rider’s bike.

Naked – no plastic nonsense.

Twin – I just like the feel and sound of a twin better than those inline three and fours most sport bikes are built on.

Price – I had to be able to afford it without breaking the bank.

Sporty and nimble – No giant cruisers. If it wast’ going to be a harley, it wasn’t going to be a big-ass cruiser.

I came up with several options that might work (some too expensive, like a ducati monster and several moto guzis and aprillias, and some just ugly), and came down to a honda, a suzuki, and a couple of triumphs.

As of now, the triumphs are winning. The Thruxton or one of the other Bonneville options. The Harley still keeps calling, but the Triumphs meet my needs better unless someone’s gifting me ten grand for a boyhood dream.

Friday, someone’s coming to buy my Trophy. And I walked out into my garage to look at it, and though, fuck, I don’t want to sell this bike. I’ve ridden it for eight years now, and loved it, no matter how much of the time I’ve spent thinking wrong bike. It’s beautiful, and I don’t want to part with it.

But owning bikes doesn’t make a biker. Riding makes a biker. And I’m not riding enough anymore to earn that name. I need to get out on the road in my leathers agin, and earn my self-description of biker.

So, if things go as planned, I’ll watch a fellow named Hans from teh east bay ride away on my Trophy this friday, with a small fistful of cash in my pocket. And I’ll have to go directly to the local dealer and start to flirt with a need machine, to save me mourning the loss of the old.

They’re not just machines, motorcycles. They’re something else. They don’t have a soul like a vincent ’52, Richard Thompson said; but even so, they have something. And it makes the relationship more intense than some marriages I know.

The second that bike rolls away, I’ll feel incomplete. I’ve been there before, when I lost my Honda; I couldn’t wait even for my court case to end to throw down money on a new machine. I had to roll.

bad wing

Looks like I need surgery on my left shoulder. You know, the one with the flower tattoos, not the one with the swirly black tribal ones.

This shoulder has given my trouble ever since I took up weight lifting ten years ago, and eventually it got bad enough that I pretty much gave up weight lifting a couple years back (because every time I lifted, I hurt myself). The last year it’s gone from occasionally annoying to painful when I sleep, so it’s now having daily impact.

My diagnosis based on the location and character of the pain was a tear in my rotator cuff.

I had an MRI the monday after xmas, and while it didn’t confirm a tear, it did show a lot of swelling and fluid buildup in the joint, and what my doctor called a “down beak” in the bone which is rubbing on a ligament and causing the damage.

Verdict: I need surgery. At very least the damage to the surrounding tissue needs to be cleaned up, and the bone needs to be ground down to reduce the wear. There may be a small tear we can’t see on the MRI, which he’ll also repair.

The doctor wanted to do the surgery the 14th of Jan, but I have too many schedule conflicts (including a tattoo a week later), so we had to put it off until early Feb based on his schedule.

I’m not looking forward to this. I have little patience with things that impede my physical ability. Pain is no problem, but having my arm useless for two weeks really, really annoys me. The good thing is, it’s going to be arthroscopic so the procedure itself is quick and the recovery reasonably short. Plus, there will be pain medication, which is always a treat.

Courts and Hackett Skull Ring

For years I’ve heard the question among skull ring collectors – Who made Keith Richards skull ring? From what I can tell, the origin of the guitar-players-in-skull-rings thing is Keith. Eric Clapton wears one, Billy Gibbons wears one, Zakk Wylde wears one, James Hetfield wears one. Johnny Depp wears one. But Keith’s is the original. […]

For years I’ve heard the question among skull ring collectors – Who made Keith Richards skull ring?

From what I can tell, the origin of the guitar-players-in-skull-rings thing is Keith. Eric Clapton wears one, Billy Gibbons wears one, Zakk Wylde wears one, James Hetfield wears one. Johnny Depp wears one.

But Keith’s is the original.

Who made it is the easy part. David Courts and Bill Hackett. The hard part though, has been how do I get one like it? For years people have attempted to copy Keith’s ring (or just put jewelry up on eBay saying it was a ‘Keith Richards ring’ without any attempt to make it look authentic).

Finally, David and Bill said – look, we’re getting jacked with this, why don’t we make our own version. After long talks with Keith, they came to agreement.

David and Bill works long and hard to get a version of the ring they could do commercially (since Keith’s was made one-of-a-kind). And shortly, it will become publicly available (any day now as I understand, as soon as final business details get worked out).

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But heres the important part; I just heard from David (who’s a lovely human being) that mine shipped last monday. And I can’t be more stoked about it. I’m expecting to get it somewhere around the end of the week. And I’m just vibrating with excitement about it.

[EDIT]

I just got my ring. While David asked me not to share pictures yet, until the new site is up and the ring is shipping (soon, he says, but isn’t giving a hard date), I can say that it’s stunning. It fits like it’s made for me.

It’s no identical to Keith’s own ring (as it should be, since Keith’s was a hand made one-of-a-kind), but it’s teh same in look, feel and spirit. It comes in a bead blasted ‘shadow’ finish (I don’t know if they’ll also offer it in a bright-polished finish), which will gradually grow shiny with daily wear.

It’s a big ring; as big as my Deadringers ‘classic’. Only my Ruby Crush ring is bigger. And it’s heavy; a solid chunk of silver, not hollowed out For all that though, it fits so comfortably I didn’t notice the mass ’til I’d taken it off.

It’s a stunning piece.

what happened to the last year?

I don’t know what happened to the last year. I looked around last night at holiday decorations and wrapped gifts and thought, it seems only a month or two back that I was cleaning up the detritus of opened gifts. I can’t remember where my year went. I can’t think of anything I did without […]

I don’t know what happened to the last year.

I looked around last night at holiday decorations and wrapped gifts and thought, it seems only a month or two back that I was cleaning up the detritus of opened gifts.

I can’t remember where my year went. I can’t think of anything I did without looking back over my blog, and then, I see a summer vacation that was over in a blink and seems to be a few weeks ago.

Is this just how it works as one gets older? Time compresses, years becoming seasons, then months, then weeks?

When I was my kids age, I recall the glacial pace of time waiting for xmas; the feeling, when it ended, that it would never come again. I remember starting to count hours after my birthday, wondering how it could possibly be so many ’til santa arrived.

A month ago I was shocked at how quickly thanksgiving had come up; I remember thinking at the time christmas will be here in a blink, and I’m not ready for it.

Is it just that my mother’s death – and the stress, trauma and exhaustion that came with it – re-set my clock? Anything before september seems oddly compressed.

I feel oddly disconnected from the world. Christmas for me has always been an emotional time; giddy and happy, or dark and sad. This year, I look at tinkling lights and hear my favorite christmas music, and I feel like I’m watching a movie about something other people celebrate. Even Disneyland, with it’s old-fashioned-holiday-on-crack atmosphere, didn’t break through the bubble I’m in. It made me smile – I enjoyed the music and the beautiful holiday decorations (because no one, anywhere, does xmas decoration like disney), but it never crossed over into my nervous system and lit me up the way it has in the past. I didn’t care. I rode a few rides, but it didn’t matter than much if I missed one, or if I spent half my day waiting in a line.

It’s not that I’m sad – it just feels like I fast-forwarded past half the year. I seem to have missed the season changes, missed the leaves changing and the air growing colder. I missed the summer sun. It went from early spring chill to early winter chill without me knowing anything.

Where are the breaks on this thing? I want to slow it down.

mouse time

It’s not the three-weeks-on-a-tropical-island I need. Or the live-on-a-sailboat-with-a-beautiful-girl I keep dreaming about. But it’s better than being at work. Tomorrow I’m taking the family down to visit the mouse, braving bone-chilling (for SO Cal) temperatures and holiday crowds. Early December is one of the best times of the year to visit Disneyland; the park […]

It’s not the three-weeks-on-a-tropical-island I need. Or the live-on-a-sailboat-with-a-beautiful-girl I keep dreaming about.

But it’s better than being at work.

Tomorrow I’m taking the family down to visit the mouse, braving bone-chilling (for SO Cal) temperatures and holiday crowds.

Early December is one of the best times of the year to visit Disneyland; the park is decked out for xmas, teh Haunted Mansion is overlaid with ‘Nightmare Before Xmas’, and Small World is re-done with enough holiday twinkle to defrost even my scroogian heart. We’ve missed the perfect window, last week; but I’m hoping poor weather and terrible economy make for less crowding.

I need a whole lot more vacation than this though. Three days off work and then I’m back home. I’m hoping for a lot of recharging in a short period, which means I need extra sugar and plenty of Pirates and Haunted Mansion.

Whatever happened to my ukulele

This is a fabulous cover of BRMC’s ‘Whatever Happen to my Rock and Roll’, on ukulele. [youtube http://www.youtube.com/watch?v=15e_qI9rvVk&hl=en&fs=1] Here’s the original for reference, for those who don’t know. (props to Syl for the link)

This is a fabulous cover of BRMC’s ‘Whatever Happen to my Rock and Roll’, on ukulele.

[youtube http://www.youtube.com/watch?v=15e_qI9rvVk&hl=en&fs=1]

Here’s the original for reference, for those who don’t know.

(props to Syl for the link)

Can’t Afford the Freeway

This is a cover of Aimee Man’s Freeway by my friend Kenny. There’s a longer story about this cover, which you can follow on Kenny’s mySpace blog. In short Aimee held a contest – make a video of yourself covering this song. Ken’s entry is here (make sure you wait for the out takes at […]

This is a cover of Aimee Man’s Freeway by my friend Kenny.

There’s a longer story about this cover, which you can follow on Kenny’s mySpace blog. In short Aimee held a contest – make a video of yourself covering this song. Ken’s entry is here (make sure you wait for the out takes at the end, they rule), which finished in the top ten in Aimee’s contest.

But I post this here not because of that; I post it here because this is Kenny’s new version, recorded in my mother’s living room. The recording is beautiful, and the idea that music is being made in her house would have made my mother very, very happy.

It’s been a huge help to me to have friends living in Mom’s house; they’re able to take care of a lot of the little tasks (and some of the really large ones) that would have been almost impossible for me to get done; they’re getting a place to live, and I’m getting work done for what feels like a steal. Having music played in that old house is like a gift from the universe.

Thank you Kenny. For the music, and for everything else.

birthdays and burials

Some years I like to do something social for my birthday. When I turned forty, we rented an entire bar, and danced to funky tunes while drinking ‘chocolate cake’ cocktails. Some years I’d rather do something solitary; two years ago I spent my birthday diving on the big island. This year, I did something that […]

Some years I like to do something social for my birthday. When I turned forty, we rented an entire bar, and danced to funky tunes while drinking ‘chocolate cake’ cocktails.

Some years I’d rather do something solitary; two years ago I spent my birthday diving on the big island.

This year, I did something that wasn’t really exactly what I wanted to do for my 47th birthday; I buried my mother.

One of the things I shared with my mother was a profound dislike of nonsense. Thirteen years ago, she and I sat in a funeral parlor in Los Gatos California, and jokeed about the oddity of the process. The funeral director didn’t know how to react to us; he attempted to maintain an air of sympathetic dignity while we discussed using a cigar box to hold Ian’s ‘cremains’, luaghing at how it would have pissed him off because he hated smoking so much. The entire process struck us as odd and silly. Later that day, we had a similar conversation at a local cemetery, this time with someone who was able to acknowledge the oddness of his profession.

Some weeks later, we would stand on the grassy lawn of that cemetery interring my brothers ashes along with a rubber Bullwinkle.

The last funeral I attended was that of my father in law last spring; it was touching to see the outpouring of love and respect, and then later to hear ‘taps’ played while his casket was lowered into the ground. Yet he also misliked fuss and bother; the ceremony was for his wife. She’s an old-fashioned lady who likes things done correctly.

My mother wouldn’t have wanted that; she would have wanted to get it the hell over with; a feeling I share. So when I sat in those same seats a dozen years later, the answers were the same. No nonsense. Cremation. No casket. No funeral. Burial of the ashes only because we already had a plot. Just the cardboard box and the most basic bronze urn.

I joked about the cardboard box, and about caskets that look like furniture, and about the idea that dead bodies should be kept fresh. But no one laughed about it with me.

I choose the day I did – Friday November 28th – because it was a convenient day. It didn’t seem like a big deal to me.

Friday was an appropriately grim, cold gray day; I stood at noon shivering, on that same patch of grass that had taken my father’s body and my brother’s ashes, in the same cemetery where my grandparents lie side by side. Four below ground and five above; myself, my wife, my children, and my mother in law, the last living grandparent.

There was incense in the air from upwind, and the eerie skirl of bagpipes from down; burials with far more fuss and ceremony than ours. And as I waited for someone to bring out my mother’s ashes, the weight of death and sorrow struck me.

I hadn’t expected the rush of tears. I’d said my goodbye to my mother when I left her hospital room three weeks before; I’d let the tears come as much as they seemed to need to, and while the idea that she’s gone still shocks me now and then, I’d expected the same sort of dull ache of sadness that accompanied planting my brother.

I had to walk away; I grieve best in solitude.

After a bit, I wiped my eyes and came back; and with a quiet economy of motion, a groundskeeper brought out a small plastic box and removed the plywood and astro-turf lid from a shaft three feet deep in the clay. I wanted to tell my mother than she was going in the ground in something that looked like it should cool a six-pack.

I took the small metal urn, and placed it in the white casket. As when I stood alone with her in the hospital, waiting for her breathing to stop, I felt as if I should have something profound to say. That night, all that came to me was ‘goodbye, mom’.

This is where those who worship something have an advantage; they know what to say. I, though, had nothing but mute silence.

The groundskeeper took out a tube of super glue and fixed the lid in place, as if he were building some scale model of a casket. He carefully wrapped a strap around the box and lowered it into the earth, and then replaced the astroturf lid.

Five below, and five above. Now we’re even.

I could still smell incense; the bagpipes were gone. My family got into the car, and I took a walk. I tried to find my grandparents raves, feeling that somehow I needed to say hello to them, symbolically let them know their daughter now shared their address. But I took a wrong turn, and wound up in a row of child graves.

I’m come back later, I thought. You’re not going anywhere.

It was several long minutes, though, before I could pull myself together enough to get back in the car. As we drove to a nearby restaurant, Ruby quietly took my hand and held it.

Later that afternoon, we went back with flowers; red cyclamen for my family’s shared grave, white for my grandparents. My mother’s name is already on the small, flat stone; carved when the stone was set a dozen years ago. Too many names for so small a stone – Jack, Ian, and Greta. The plot is full now; but I don’t want my ashes in the ground in a suburban park in northern california. When I go, I’ve told my daughters, put what’s left in a sack with a weight and drop me down into the deepest ocean depths.

When I looked at my grandparents names, carved into red granite stones, it bothered me that my grandmother’s nickname – Cookie – wasn’t on the stone. Never once did I think of her, or address her – as her given name (Hazel). It bothered me also that her place of birth had been left off. My grandfather’s stone says ‘oklahoma’; hers should say ‘texas’. And I resolved to go back and fix it, and to fix my mother’s stone, which was done in haste. My mother wanted to be done with it, and hurried the choice without me. But the stone that is all that’s left of her life needs to say something about her, more than her name and the year of her birth.

The stones left to mark our graves will sit there a generation later. Strangers will stroll through the grass, looking for someone, or just looking. Grandchildren and great grandchildren, maybe, will look for a name they’ve seen on a family tree. That final marker should do more than just carry a name; it should say something about whomever it now represents.

It’s a silly thing, but markers mean something to me; before my next birthday, I need to fix that.